by Emily Colucci on August 18, 2016
“Black is and black ain’t.” Walking through Pace Gallery’s current exhibition Blackness in Abstraction, I began to think about that title line from Marlon Riggs’s final film—taken from the prologue of Ralph Ellison’s novel Invisible Man. Even more than the pervasive “Black is beautiful,” this curiously ambiguous phrase hints at the multitude of meanings, voices, and questions surrounding blackness in the exhibition.
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by Corinna Kirsch on March 20, 2014
Just like a reality TV show, the premise behind this year’s Whitney Biennial aims for high spectacle: What happens when you take three curators and ask them to put on three separate exhibitions at one of the world’s most prestigious museums? The world watches on, and we wonder what could possibly go wrong.
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