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The Indianapolis Museum of Art

ArtPrize Announces $20,000 in Grants for Artists

by Michael Anthony Farley on March 30, 2016
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ArtPrize, the Michigan-based public art competition, has announced a $20,000 fund to be distributed via “pitch nights” in four cities. Artists from those respective regions can attend these events in Durham, Minneapolis, Indianapolis, and Louisville and propose public artworks to a panel for the chance to secure $5,000 to realize their projects. The selected artists will then be given an exhibition opportunity during ArtPrize.

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Morning Links: Resource Edition

by Paddy Johnson and Corinna Kirsch on March 13, 2013
  • A blog and potential resource for President and canine painter George Bush. [Dog Art Today]
  • Hilarious! The L.A. MOCA drama told in GIFs. [C-Monstah]
  • A new art(ish) blog based in Copenhagen launches with reviews of international shows and the odd interview and news item. Not a lot of critical perspective here, but a reasonable start. [Recent Future Archive]
  • MOCA is close to working out a five-year agreement with The National Gallery in DC, which will include collaborating on programming and research and exhibitions. This might help ward off the LACMA merger. [NYTimes]
  • Vine hack. Now you can make 20 second videos if you want to. [AnimalNY] Thank-you Jordan Smilovic [Brooklyn Web Developers]
  • If you’re in Europe, nobody’s going to stop you from watching porn on your computer. It’s porn IRL that’ll get you in trouble. [Mashable]
  • Guggenheim Museum Director Richard Armstrong writes a letter to Hyperallergic’s Senior Editors Kyle Chayka and Jillian Steinhauer in response to “When Artspeak Means Oppression” penned last week by contributor Mostafa Heddaya. In that piece, Heddaya calls out the Guggenheim for not paying much attention to human rights abuses in the United Arab Emirates where they’re currently building Guggenheim Abu Dhabi. [Hyperallergic]
  • The Indianapolis Museum of Art (IMA) announced last week that the museum will be laying off 21 people (11 percent of its staff). Why are they doing this? Tyler Green takes a look at their rationale and finds it inconsistent with museum management practices. Consider this your must-read article for the day. [Modern Art Notes]
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