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Yael Bartana

What Should Anti-Trump Art Shows Achieve?: Petzel Gallery’s “We Need To Talk…”

by Emily Colucci on January 27, 2017
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Since Trump’s election, numerous exhibitions have attempted to address the seemingly endless horror of his presidency. But, how should we judge these shows’ efficacy? Is the quality of the included work enough or should viewers demand more practical political action? A visit to Petzel Gallery’s disappointing We Need To Talk… convinced me of the latter.

The exhibition’s proposed exploration of the many fraught issues currently under siege seemed promising. But, with an unwavering devotion to showing big name artists, half-assed attempts at engaging the general public and a convoluted donation strategy (the press release vaguely states, “A percentage of sales will be donated to any organization that seems appropriate to artist and collector.”), We Need To Talk… came out well short of its activist goals. So short, in fact, that the goals of the show itself were put into question.

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This Weeks Must-See Art Events: The Art World Mobilizes for 2017

by Paddy Johnson and Michael Anthony Farley on January 3, 2017
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For everyone who has complained that the art world is too apolitical in the past month or so, take note of how 2017 is kicking off. We have a week of feminist exhibitions, the start of a month-long project about Trump’s America Saturday at Petzel Gallery, and shows that tackle topics from water contamination to the holocaust and the attack on the Pulse nightclub in Orlando.

Welcome to the art world in the Trump era. If the list of participants at Petzel’s event is any indication, the big guns are coming out.

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Top Trends at Frieze London, According to Instagram

by Michael Anthony Farley on October 5, 2016
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We’re not in London for the 14th Frieze art fair, which opens to the public tomorrow. But VIP preview guests have already thoroughly documented the fair via social media. Just what trends are catching the eyes of these discerning Instagrammers? Anything and everything pink, installations that harken back to the days before Brick Lane felt like a high-end high street, genitals (obviously), shelving (less obviously), and one very popular living blow-up-doll.

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