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artists space

This Week’s Must-See Art Events: Virtual Reality Exhibitions and Cyberdefense Workshops

by Michael Anthony Farley on July 17, 2017

Well, this week starts off strong.
Monday we’re looking forward to checking out the new VR World NYC, which is hosting a virtual reality art show and concert until midnight. If that hasn’t sated your cyberpunk hunger, check out Lin Wang’s cyborg wigs tuesday at Gallery Sensei, the NYFA/NYSCA group show Facial Profiling at C24 Gallery on Thursday, or the “Digital Self Defense and Empowerment Workshops” happening all Saturday afternoon at the New Museum. We love when a week’s itinerary in IRL New York looks like a montage from Hackers

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Jonah Freeman and Justin Lowe Straddle NYC’s Past, Present and Future in ‘Paranoia Man In A Rat Fink Room’

by Emily Colucci on January 9, 2017
Thumbnail image for Jonah Freeman and Justin Lowe Straddle NYC’s Past, Present and Future in ‘Paranoia Man In A Rat Fink Room’

New Yorkers are prone to nostalgia. It’s a byproduct of the city’s rapid changes and frequently traumatic displacements, which is why art addressing these constant evolutions is almost always relevant.

The latest project confronting New York’s transformations is Jonah Freeman and Justin Lowe’s Paranoia Man In A Rat Fink Room at Storefront for Art and Architecture. While gentrification is well-trod artistic territory, the show takes a fresh angle on the subject by representing, at once, the city’s seedy past, transitional present and sleek future. Beyond the city, the installation also indirectly but successfully points out the alternative space’s anachronistic placement within the open-air mall of contemporary SoHo.

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This Week’s Must-See Events: Sext Me, Sext Me, Don’t Forget Me

by Paddy Johnson Michael Anthony Farley Rea McNamara on January 19, 2016
Thumbnail image for This Week’s Must-See Events: Sext Me, Sext Me, Don’t Forget Me

Modern-day slavery, female representation and outsider art are the big themes of this week’s Must-See Art Events. Today, two talks (Cheryl I. Harris at Artists Space and the Normalities Austrian Cultural Forum) look at the market-enforced instability of ‘black’ spaces and the ongoing Balkan immigration to Vienna, respectively. Two solo shows — Betty Tompkins at FLAG Art Foundation and Carla Gannis at TRANSFER — could be seen together as first- and third-wave feminist responses to female representation. And the Outsider Art Fair at the Metropolitan Pavilion — coinciding with a Christie’s sale of outsider art on January 22 — suggests the formerly niche art market sector is finally going mainstream.

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