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Chicago MCA
by Michael Anthony Farley on June 6, 2017
- Very useful: a map of all the best places to cry in public around the city. [Curbed]
- Israel’s oldest art school, the Bezalel Academy of Arts and Design, is moving into a new SANAA-designed campus in Jerusalem. [The Jerusalem Post]
- A Takashi Murakami show opens today at Chicago’s Museum of Contemporary Art. Takashi Murakami: The Octopus Eats Its Own Leg is a retrospective that spans five decades of the artist’s career, but based on nearly all of the promotion and media attention, you would think the focus of this show is Murakami’s collaborations with Kanye West. Seriously, the way people talk about this makes it seem like Murakami was some obscure unknown that West “discovered” and brought to the masses, rather than an art star he hitched his brand wagon to. Ugh. [Chicago Tribune]
- Strange New York story of the day: Laura Murray, a struggling SVA grad who was surviving by drawing portraits of tourists, was mugged in 2012 and drew a sketch of her attacker. The cops caught him based on her drawing, and now she’s pursuing a career as a courtroom artist. [New York Post]
- Here’s a comic about the most annoying child of hippies coming to an art opening in San Francisco. [The Bold Italic]
- China Guardian is opening a combination art museum/auction house in Beijing. So much for pretending museums and the market weren’t too close for comfort! The building, designed by Büro Ole Scheeren also contains a hotel. [Dezeen]
- From Banksy’s ill-conceived print giveaway to Jeremy Deller’s wheatpastes, British artists are responding in all sorts of ways to the upcoming election. Basically, everyone in the art world is hoping to oust Theresa May. Poor Grayson Perry had planned a solo show opening at the Serpentine Gallery on the 8th. Now that’s election day, and his show about post-Brexit identity and division has taken on an added gravity. [artnet News]
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by Michael Anthony Farley on April 12, 2017
- Will we ever get tired of how weird AI “deep dream” is? Alexander Reben has been feeding episodes of The Joy of Painting with Bob Ross into the neural net. Predictably, his hair gets even stranger. [IFL Science]
- Art Cologne is in talks to absorb abc fair, launching Art Berlin in its place. How many art fairs can Germany possibly sustain? [The Art Newspaper]
- More “Fearless Girl” controversy. Sculptor Arturo Di Modica, who created the original “Charging Bull” claims the promotional stunt distorts the intent of his work, and will be holding a press conference about it today. [The Washington Post]
- Kate McKinnon as Cecilia Giménez, the abuelita who famously repainted “Ecce Homo” in Borja, is the best art critic SNL has ever had: “The first great question any sculptor must ask about the subject: what would he look like if he had a stroke? But he had the stroke while saying ‘cheeeeeese!’?” She’s talking, of course, about Emanuel Santos’s much-mocked bust of hunky soccer player Cristiano Ronaldo. This whole debacle reminds me of the I Love Lucy/Faces of Meth story from last year. Should we just give up on bronze busts of celebrities? Probably. [Mashable]
- Chicago’s Museum of Contemporary Art will be free for teenagers starting this June. Unfortunately, admission is going up to $15 for adults. Youth is wasted on the young. [Chicago Tribune]
- Jeffrey Deitch is heading back to LA, this time to open a gallery in Hollywood. [artnet News]
- Ian Macfarlane has won Dezeen’s competition for a post-Brexit passport design. His proposal features the dark blue of old British passports in a gradient, erasing the familiar burgundy EU passport cover. I still can’t believe this is really happening. [Dezeen]
There are too many highlights from the NYT Style Magazine profile of Sophie Calle… let’s just say the artist’s meet with the journalist begins(ish) by explaining that seemingly-fake-pregnant Calle is using the opportunity to enact giving birth to her dead cat. [The New York Times]
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