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jesper just

A Strange, Spiritual Turn at the 55th Venice Biennale

by Corinna Kirsch on June 7, 2013
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I have lukewarm feelings on this year’s Venice Biennale, which contains two distinct exhibitions: The Encyclopedic Palace, a 1,000-artwork-plus exhibition curated by Massimiliano Gioni, and dozens of national, pavilion-based exhibitions organized by curators from each country. Despite the slightly confusing fact that the theme of the Biennale as a whole is The Encyclopedic Palace, historically, the two exhibitions don’t have much overlap. But something different happened this year.

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The 55th Venice Biennale Slideshow With Commentary: More Pavilions!

by Paddy Johnson and Corinna Kirsch on June 3, 2013
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Part two of our slideshow series on the Venice Pavilions, with comments on Spain, Hungary, Belgium, Finland, The Netherlands, the Nordic Countries, Denmark, Latvia, and Lebanon.

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Wednesday Links: Running Up an Escalator

by Paddy Johnson on May 29, 2013

"Intercourses" still from Jesper Just's installation at Danish Pavilion. Image via: The New York Times

  • Canadian artist Shary Boyle had the National Gallery’s help this year in fundraising for her pavilion, which cost 1.5 Million. That’s pretty cheap—the United States would not even disclose how much was spent on their Pavilion in 2011—and that’s evidenced by their opening, which will host…a cash bar? Canadian culture does not yet understand the power of philanthropy. [The Globe and Mail]
  • After 20 years, Paul McCarthy’s goat finally got tired of being dry-humped. The sculpture’s motor died two weeks ago. [In The Air]
  • Andrew Russeth may see more art than Jerry Saltz. He’s recommending the ICP’s Triennial, therefore I will go see it. [Gallerist]
  • Artist Rirkrit Tiravanjia on Art Basel Hong Kong. “When bankers get together they talk about art,” he said. “When artists get together, they talk about money.” So, this is the state of the blue chip art world; removed from reality. [Bloomberg]
  • Andrew Goldstein interviews Jesper Just on his new multi-channel film installation at the Danish Pavilion. Just uses a replica city of Paris, located just outside the Chinese city of Hangzhou as his subject. We gave Just’s show at Nicolai Wallner a mixed review when we visited Copenhagen last year, so we’re looking forward to seeing what he does in Venice. Interestingly, the artist collaborated with the New York-based design firm Project Projects to produce an accompanying graphic campaign for “Intercourses” that will run online and as posters in the cities of New York, Hong Kong, Copenhagen, Paris and Shanghai [ArtSpace]
  • A brilliant metaphor: Running up that escalator. [The Medium]
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We Went to Copenhagen

by Corinna Kirsch and Whitney Kimball on September 20, 2012
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With a major art festival and the city’s largest art fair, September is the month to be in Copenhagen. We saw a ton of art and we noticed that at least half of the artists were American or non-Danes. Are there not that many Danish artists? Or do Danish collectors just need to get with the program? That being said, we brought back a surprising number of highlights and our travels hit on that one truism of gallery-going: you can find good and bad art no matter where you go.

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