Posts tagged as:

marilyn minter

This Week’s Must See Events: A Week of Historicization

by Paddy Johnson on October 24, 2016
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Brace yourself: Pretty much every museum in the city has a major show launching, from The Met’s Kerry James Marshall show, to the Whitney’s Immersive Cinema survey, to the Rhizome and New Museum’s Net Art Anthology launch. We’re excited about EVERY. SINGLE. SHOW. Why? Because they are all historical shows in some way, attempting to chart a history of important art works and movements. This is important work.

Oddly enough, Historicizing seems to be a broader theme for the week in general—well, in at least one show. Saturday Elizabeth Dee will launch a mammoth show that attempts to look at the East Village scene of the 80’s and where those artists are now. This is a must-see exhibition, so between this, the museum shows, and everything else we have listed you’re going to be busy.

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Beyond Chelsea And The Lower East Side: The West Village Gallery Round-Up Part 2

by Emily Colucci on September 23, 2016
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Continuing my exploration of the West Village galleries’ September shows, I ventured above Houston Street to Maccarone and White Columns.

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The Art F City Survival Guide to the 2016 Armory Week Fairs

by Michael Anthony Farley and Rea McNamara on February 29, 2016
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Do you like art fairs? If yes, you are in luck! If not, get the hell out of New York City this week. Art fairs are multiplying like Gremlins, and mutating as they spawn. We now have specific art fairs for everything: paper, video art, solo projects, Asian art, curator-driven booths, independent artists, dykes, shiny things, boring shows… there’s something for everyone.

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Worst of 2015

by Michael Anthony Farley on December 30, 2015
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What were the top five most scandalous stories we covered this year? The ones people read, shared, and re-tweeted the most, of course. I delved into our site stats to ask why we love bad news so much.

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We Went to No Man’s Land: Women Artists from The Rubell Family Collection

by Paddy Johnson and Michael Anthony Farley on December 21, 2015
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At the Rubell Family Collection, dozens of contemporary women artists working in every conceivable medium left us very impressed.

Michael: Here, the blue-chip market and a private collector managed to accomplish something many institutions or independent curators haven’t—presenting an all-female show that feels as if it has nothing to prove.

Paddy: I still can’t get over how many monumental art works in this show so effectively dominated the space that you’d literally feel awestruck by their presence.

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Marilyn Minter is the Windowlicker of Representation

by Paddy Johnson on October 23, 2015
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The show at the Museum of Contemporary Art in Denver is the visual equivalent of “Windowlicker” an album by the electronic musician Aphex Twin that Pitchfork describes as oscillating between “harsh, uncompromising noise and remarkably warm ambient texture.” In both cases, we are repelled by what we are drawn to—a tension that ensures you never forget the work.

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