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oliver pauk

Why Artists Make Better Landlords: An Interview with Akin Collective’s Oliver Pauk and Michael Vickers

by Rea McNamara on June 20, 2016
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The belief that artists are too independent or focused on their career to self-organize needs to die. Artists have the capacity to be both generous and great.

Take, for example, the affordable housing movement, and the artists dispelling the traditional artist-as-gentrifier-enabler role. Theaster Gates transformed vacant and abandoned buildings in his neighborhood on Chicago’s South Side by establishing a foundation, and then partnering with the city and developers to rehab a public housing complex into mixed-income housing. In Houston, Rick Lowe’s Project Row Houses covers six blocks in the Third Ward, providing affordable housing for low-income tenants. Mark Bradford’s Art + Practice not only brings contemporary art programming to Los Angeles’s Leimert Park, but also provides social services for youth in the city’s foster care system. Artists have the potential to readdress urban displacement and ensure affordable space still exists for art by pulling up their sleeves and playing a bigger entrepreneurial role in real estate development.

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Pastoral Romanticism for the Hashtag FOMO Generation

by Rea McNamara on August 21, 2015
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What does millennial cultural tourism look like? From the institutional standpoint, it’s about making exhibition and outreach programming more “social” and appealing to younger audiences with stuff they think they’ll like: “late night” events, live music, food trucks, booze. Publicly funded outdoor summer music festivals now come with visual arts programming; at last month’s WayHome Festival outside of Barrie, Ontario, a curator was hired to oversee interactive art installations scattered through the grounds, providing the perfect backdrop for festival goer’s selfie stick snaps.

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