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Turner Prize

Brian Eno’s 1995 Opening Speech for the Turner Prize

by Paddy Johnson on March 15, 2012
Thumbnail image for Brian Eno’s 1995 Opening Speech for the Turner Prize

Back in 1995, Brian Eno’s opening speech at Turner Prize award ceremony caused all kinds of clamor. The speech lampooned the arts community for its lack of intellectual rigor, comparing the openness and public knowledge of scientific debates with the often-impenetrable discourse around art.

Eno, in his diary, recounts that at the ceremony, “various people looked at me like I was Satan, or with obvious pity.” The next day, he notes that he was stopped in the street and congratulated. When read today, however, the words sound as fresh and exciting as ever, and demand everything I often feel the fine art world lacks. As such, I’m reproducing the text in its entirety for readers below.

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Wednesday Links! Everybody’s Losing It

by Will Brand on December 7, 2011

  • Jerry Saltz tees off on the New Museum’s Carsten Holler show and the last five years of museum-friendly relational aesthetics. Highlight: “It would be impossible to imagine anyone getting anything from these works, except briefly distracted.” [NYMag]
  • Jonathan Jones tees off on the Turner Prize judges for not picking George Shaw, and particularly for accusing Shaw of conservatism. For reference, Shaw paints naturalistic, depopulated scenes from around his hometown. Highlight: “Art is now judged by criteria that are fundamentally pretentious and empty. I suppose it has to be, or all the pretentious and empty art that sells in galleries would lose its value.” [The Guardian]
  • In case you missed it, here’s an interview with Shaw that ran in the same paper back in February. Highlight: “I look at [my] work and its innate conservatism shocks me. When I was growing up, I thought I was going to be a really contemporary artist doing video and installation work, capturing the zeitgeist and all that, but”¦ Then, I realised I was just lying to myself.”” [The Guardian]
  • James Panero tees off on the Brooklyn Museum for bringing that veritable antichrist David Wojnarowicz (or the other billion artists in the show) to town. It’s three weeks old, but in our defense nobody we know reads the Post. Highlight: ‘Why wait for Black Friday to begin the tedious “War on Christmas”?’ [NY Post]
  • Apparently, some opera houses and theaters are now offering “tweet seats”, special marked-off areas where audience members are allowed to use their phones for the purpose of livetweeting. Ewwwwww. [LA Times]
  • The latest advance in cat memes is the Procatinator. Fear it.
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