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moma ps1

This Week’s Must-See Art Events: The Roving Eye

by Paddy Johnson and Rea McNamara on February 1, 2016
Yes, this is a Lorna Mills GIF.

Yes, this is a Lorna Mills GIF.

Legacies, transitions and milestones loom largely in this week’s slate of events. Black History Month kicks off in Harlem tonight at the Schomburg Center with a panel featuring Juliana Huxtable and Kimberly Drew among others dwelling on Basquiat’s life and legacy. Further on the BHM-related tip, decolonial knowledge is dropped by Tabita Rezaire at MoCADA’s Window Gallery, and the representation of black and queer personhood is re-assessed in Sondra Perry’s selection of video works for MoMA PS1’s Sunday Session.

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This Week’s Must-See Art Events: None of Them are Poverty-Themed Raves

by Michael Anthony Farley and Rea McNamara on November 2, 2015
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Don’t get us started on that “Bronx is Burning” rave. (That’s for another post.) This week, as many of us are still cleaning off the paint and glitter from last weekend’s Halloween costume, there’s thankfully a mix of screenings, openings and performances to help ease you back into your regular schedule. Tonight, Ben Coonley organizes a group screening of artists’ first “hard-fought” 3D works at Brooklyn’s Microscope. Then there’s the opportunity to shake the spirits of the past, whether it be Tuesday’s Duane Linklater CUNY talk on museum’s colonialist legacies or Wednesday’s opening at Robert Blumenthal of an ambitious installation from Derek Fordjour evoking childhood-era psychic spaces.

Meanwhile, the rest of the week offers heavy fluxus drone (Thursday, Yoshi Wada) and an online journal launch (Friday, Bard’s aCCeSSions). The weekend promises new directions (Saturday, MoMa’s New Photography opening) and guilty pleasures (Michael’s, specifically, with Sunday’s Jessica Stockholder opening at a Greenpoint storefront space).

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Highlights From PS1’s Greater New York, Part 1

by Michael Anthony Farley on October 16, 2015
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Much has already been said about Greater New York, PS1’s massive survey of over 150 regional artists that spans deceased pioneers who cut their teeth in the 1970s to young, contemporary fashion designers. With that in mind, we’re going to offer a couple of slideshows, each with personal highlights, recommendations, and commentary from a different AFC writer. There’s really too much great work (and bad work) to cover it all in one post.

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This Week’s Must-see Art Events: Superstar Pee

by Paddy Johnson and Michael Anthony Farley on October 5, 2015
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Plan to spend at least part of your time at major exhibition openings in New York this week. This Wednesday the New Museum opens their Jim Shaw exhibition, an artist who has been referred to as the posterboy for “junk shop sublime”. (He incorporates a lot of second hand work into his sculptures and installations.) Come Sunday the quinquennial survey show everyone loves to hate—Greater New York—opens at MoMA PS1. No artist list has been released, but we’re sure this show will be better than the last if for no other reason than the bar was set so low. Critic Christian Viveros-Faune, when complaining of the pains the 2010 show took to be politically correct hilariously concluded, “No matter—black Jesus floating down from on high with a strap-on would not improve this disaster of an assembly one iota.” We’re hoping an artist has made that work for this exhibition.

The rest of the week’s events include a talk by artist, writer, lawyer and teacher Sergio Munoz Sarmiento which will focus on property through the lens of the law and art and Taner Ceylan’s opening of hyper-realistic borderline gay porn paintings. The most promising opening, though, is a solo show of work by Brigid Berlin, a Warhol Superstar who once boasted about a daily routine that involved throwing her coat off on the floor, dropping her pants and pissing. Can’t wait to see what’s in that show!

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This Week’s Must-see Art Events: Strange Monuments

by The AFC Staff on April 21, 2015
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A laundry list of things happening this week: an outdoor exhibition about nature-kind-of waves goodbye to the ever-receding sublime, a building sorely in need of repair becomes its own cut-up colossus, artworks act like love letters to monuments, and people celebrate places made significant by other people. Last, but certainly not least: Giant. Dollhouse.

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