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moma

This Week’s Must-See Art Events: Propaganda for the Digital Age

by Paddy Johnson and Michael Anthony Farley on January 23, 2017
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Today and tomorrow New Yorkers will be saddled by this terrible Northeaster storm, but that shouldn’t stop you from attending Hannah Cole’s talk on artist taxes today or Judith Bernstein’s talk and book launch dubbed dicks of death tomorrow. They’re too important to miss. By Wednesday art lovers will be able to head to the Lodge for an opening of John Wellington’s dystopian history paintings, and on Thursday to the New York City Ballet to see electronic artist Dan Deacon’s “America” set to ballet. We’re particularly looking forward to seeing the ballet given Deacon’s connection to the blog. He’s a Baltimore resident and a long time muse for the blog.

By the time the weekend sets in, it’ll be all talks moderated by Art F City’s Paddy Johnson. On Saturday she’ll be discussing how the Nevada Test Site has influenced the paintings of Eric LoPresti with Eric LoPresti. Sunday, she’ll be discussing the evolving roll of storytelling in American culture with Jack Early and friends.

All of which is to say there’s plenty to see and do this week. So let’s not delay. Put these dates in your calendar and plan to compare notes later on!

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The Worst Shows of 2016: What’s the MoMA Björkgate of the Year?

by Michael Anthony Farley on December 30, 2016
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In which we look back at AFC’s most vitriolic reviews of mediocre exhibitions.

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This Week’s Must-See Art Events: Give Thanks for Kate Bush

by Michael Anthony Farley on November 21, 2016
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It’s a slow week, but one with just enough good events to keep any Thanksgiving-related food coma at bay. Monday night, we’ve got two book release events with talks and more! Fragments of Metropolis – Rhein & Ruhr launches with a panel discussion at NYU’s Deutsches Haus and Douglas Crimp: Before Pictures is kicking-off at The Kitchen. Tuesday, rising video art star Sondra Perry speaks at SVA and bitforms gallery returns to its roots for a homecoming party. Wednesday, MoMA opens a Josef Albers exhibit that shows the color guru’s dark(room) side.

Thursday is Thanskgiving, so there are no art events. But if you can’t deal with the potential of seeing a Trump-supporting relative, I recommend teaming up with friends to support local immigrant-owned businesses instead! Post-holiday, there’s a bit of a slowdown. On Black Friday, check out a campy screening at Williamsburg’s Spectacle theater. Saturday Pioneer Works is hosting the Eyeworks Festival of Experimental Animation. If that’s not your thing, head to Roulette, where artists reinterpret the music of Kate Bush. That’s one thing we can all be thankful for.

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Wikileaks: Marina Abramović Invited Clinton Campaign Chair to Satanic Menstrual Blood & Sperm Fest?

by Michael Anthony Farley on November 4, 2016
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Halloween may be over, but this shit-show of an electoral haunted-hay-ride just got a little spookier.

Wikileaks has released an email purportedly hacked from Clinton campaign chair John Podesta’s inbox from none other than performance art star Marina Abramović. The email had been forwarded from his brother, lobbyist Tony Podesta last June, inviting John to join him at a “Spirit Cooking” party hosted by Abramović in New York, at the artist’s request.

email-marina

“Spirit Cooking” is an Abramović piece supposedly inspired by famous Satanist Aleister Crowley’s occultist rituals. It involves the artist painting the walls with menstrual blood, breast milk, and other bodily fluids.

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With A Little Help From My Friends: Ellen Cantor’s ‘Pinochet Porn’ At MoMA

by Emily Colucci on November 3, 2016
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It’s quite a surprise that a film titled Pinochet Porn depicts a tender portrait of friendship. Granted, Ellen Cantor’s final film buries that theme under a shocking mélange of spank-heavy sex scenes, depressed clowns, descriptions of rape and torture over vintage Pepsi ads and disturbing archival footage of the Pinochet dictatorship, Hitler and September 11th. But looking beyond its violent and erotic imagery, the film is a celebration of a close-knit avant-garde community.

This became clear at the film’s premiere at MoMA on Monday night, part of the museum’s Modern Mondays film program. Playing to a sold-out theater, the screening also featured a post-film discussion between the Museum’s Chief Curator of Media and Performance Art Stuart Comer, Participant Inc.’s founding director Lia Gangitano, who appears in the film, and filmmaker John Brattin, who acted as Director of Photography. While this is common with MoMA’s screenings, it seemed particularly important on Monday. Firsthand accounts of the film’s production and posthumous completion, provided here by Gangitano and Brattin, seem irrevocably intertwined with any analysis or enjoyment of the film itself.

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This Week’s Must-See Art Events: Future Bodies are Everywhere and Terrifying

by Paddy Johnson and Michael Anthony Farley on October 17, 2016
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There’s plenty of heady discourse this week—future bodies, hypothetical architectures, theories of curation and criticism—and of course plenty of election-related hand-wringing.

Kick it off Monday night at Jersey City’s Word Bookstore, where the Brooklyn Institute of Social Research is inaugurating a lecture series about cyborgs. Or head to Manhattan’s Red Bull Studios for an event celebrating Grand Arts, the Kansas City project space that launched dozens of conceptual art projects and, now, a catalogue. Tuesday night, Paddy Johnson joins other art critics to talk shop at the Brooklyn Public Library’s Dweck Cultural Center, and Tyler Coburn talks genetic engineering and body mods as the future of humanity at e-flux. If you’re looking for something more hands-on (or a chance to move your feet), there’s a survey of handmade prints at Site:Brooklyn and an epic-looking disco fundraiser for El Museo del Bario Wednesday night. Thursday, White Box is opening a jam-packed group show (with some impressive names!) all about political angst. Friday we’ve got a talk from Maura Riley at Stony Brook Manhattan and Underdonk opening a class-conscious solo show by Patrice Renee Washington.

But the weekend brings us back to what we like the most: artwork that investigates the weird. Selena Gallery’s two person show from Dalia Amara and Florencia Escudero looks for uncanny surrogate female bodies in consumer goods on Saturday night. Sunday, Sascha Braunig’s work at MoMA will likely strike a similar chord. And MARC STRAUS opens a solo show by Chris Joneswho builds fantastical dioramas (pictured) from mundane images.

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