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strunken white November 24, 2014 at 12:17 pm

I understand the Benglis spread as part of a kind of friendly, rough-housing back-and-forth with Robert Morris bringing into sanitized high-art advertising imagery unfamiliar, taboo depictions of sexuality (Morris took the leather-daddy route). As a part of that, it’s inspiring that she held her own and got Rosalind Krauss the hell out of Artforum.

http://www.nytimes.com/2009/07/25/arts/design/25benglis.html?_r=0

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