Archive of Chris Green

Chris has written 3 article(s) for AFC.

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Chris Green

Housing Costs Too Much: A Responsive Series of Awkward Dinner Conversations

by Chris Green on May 23, 2016
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“How can you say that affordable housing should go towards artist studios rather than homeless domestic violence victims?”

The question, asked on Monday evening by the Village Voice’s Neil deMause during dinner at a luxurious Chelsea apartment, sent some hands reaching for wine glasses. It was a moment in William Powhida and Jennifer Dalton’s MONTH2MONTH, the public art project running in private residences around the city throughout May, that made the stakes of such a project’s engagement housing uncomfortably clear. The guests at the dinner, a varied mix of artists, patrons and the curious, were faced with a paradox of the liberal sensibility whereby supporting the arts might be tantamount to taking housing away from the truly needy. At least until Powhida announced that he, an artist, didn’t think artists should be given studio space over anyone.The problem is one of affordability. The discussion moved on, drinks were refilled.

In the age of poor doors and museum-sanctioned real estate summits, MONTH2MONTH, produced by MoreArt, asks what role the art community, which is so often viewed as an agent of gentrification, can play in the debate around NYC housing.

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Fresh New Digs for Aging Independent

by Chris Green on March 4, 2016
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The Independent art fair is apparently all grown up and ready to cement its place of privilege in a new Tribeca location. This year’s event space, Spring Studios, is better known for exclusive fashion and Tribeca Film Festival events, but the organizers believe it is just right for a fair that now considers itself to be mature and ambitious. Aging is perhaps a more appropriate characterization here—this year, the formerly new-blood establishment of the Independent seems as though it is content to coast into retirement.

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SPRING/BREAK: Too Many Cooks in the Post Office

by Chris Green on March 3, 2016
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When the curator becomes the primary product, nobody wins. With 800 artists to 100 curators, the flashiest booths naturally win out at SPRING/BREAK. We picked a handful of booths which deserve a longer look.

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