From the category archives:

Baltimore

Christening a Film Festival’s New Old Home With John Waters

by Michael Anthony Farley on May 24, 2017
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The Maryland Film Festival has a glorious permanent home in a formerly abandoned theater. Of course, as with all developments in Baltimore, it’s restoration hasn’t been without controversy.

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Three Shows: Beki Basch, Hein Koh, and “Photo Flesh”

by Michael Anthony Farley on May 19, 2017
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The next week is a good time to do some art-seeing on the westside of downtown Baltimore. Michael Jones McKean’s commission from The Contemporary has transformed an old department store into a dystopian museum and it’s teriffying and great. You can check it out by appointment until May 31st, when it will be deinstalled. Luckily some of the city’s strongest artist-run spaces are within a few blocks of the show and also tend to accommodate by-appointment viewings. I checked out three openings last weekend: Beki Basch’s trippy Vision Quest Lundi: Flush / Flood at Current Gallery, Hein Koh’s technicolor wonderland Joy & Pain at Platform, and the group show Photo Flesh at Terrault Contemporary featuring three international genre-bending photographers from the Birmingham School of Art.

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Michael Jones McKean Makes Museums Existentially Terrifying

by Michael Anthony Farley on May 19, 2017
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In Michael Jones McKean’s The Ground, presented by The Contemporary, the artist has inserted a dystopian anthropology museum in a long-vacant department store. It’s smart, funny, and just a little terrifying.

See it while you can.

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Highlights, and a Sad Observation, From MICA’s Commencement Exhibition

by Michael Anthony Farley on May 15, 2017
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As a rule, we don’t generally discuss student work on the blog. There are plenty of reasons for this, but for me, one is simple: I am forever grateful no one from the art press ever saw the terrible work I was struggling through in art school.

Yet nearly every Spring, I am impressed by commencement exhibitions—how is it possible that so many college seniors have their shit together more than so many grown-ass artists? Thesis shows at Maryland Institute College of Art (MICA), my old alma mater, tend to be particularly polished and worthwhile.

This year, though, has been a rough one for students nationally. I can’t imagine dealing with Trump’s election in the Fall and inauguration at the start of the Spring semester, all while trying to figure out what the hell you’re doing with your last year of art school. So much work looks like students just gave up hope halfway through a concept—as if a collective trauma had left everyone dispirited and unable to focus. We at AFC can certainly sympathize. The situation is fucking unfair.

That’s why this year we’re covering the MICA commencement show, which closes today (go see it if you’re in Baltimore!). Although it’s overall less enthusiastic and high-caliber than years past, those who persevered through the crisis and turned it out deserve recognition.

Below, the stand-out highlights from the class of 2017. If they can survive pulling-off thesis projects this good in spite of (and often in reference to) the apocalypse, the art world will be a cakewalk.

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Highlights From Brown Paper: a Zine Fest For Artists of Color

by Michael Anthony Farley on May 3, 2017
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Baltimore curatorial platform Kahlon and Brooklyn’s 3 Dot Zine teamed up last weekend to launch a DIY press fair focused on artists of color. Here are some highlights.

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The Last Day of Disco; DUOX4Odell’s: You’ll Know If You Belong

by Michael Anthony Farley on April 28, 2017
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When tasked with paying tribute to a long-shuttered nightclub, Wickerham & Lomax went an unusual route. Their ambitious DUOX4Odell’s: You’ll Know if You Belong, which closes tonight in Baltimore, speaks to loss and placelessness as much as glamour.

Closing Reception: April 28th, 7:00 p.m. – 10:00 p.m.
1723 N. Charles Street, Baltimore

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Highlights From PMF VIII

by Michael Anthony Farley on April 4, 2017
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BALTIMORE – The 8th Publications and Multiples Fair wrapped up Sunday at the Baltimore Design School, and as always, was awesome. The fair, organized by art collective Open Space, features DIY publishers, independent artists, and all manner of great weird stuff. Notably, it seemed this year had less “traditional” fares such as zines or screenprints and more odd small objects. With hundreds of surprisingly affordable vendors from across the nation, it’s always a serious challenge to not go on a mega-art-shopping spree.

A sampling of what I wish I had bought after the jump.

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Applications Now Open for Open Space’s 8th Publications & Multiples Fair

by Michael Anthony Farley on January 5, 2017
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There are few art events that are as fun as Open Space’s Publications & Multiples Fair. The annual PMF brings screenprinters, DIY press, and artists working in a variety of 2D and 3D media to the Baltimore Design School for a weekend-long affair that feels more like your favorite neighbors’ garage sale than an art fair.

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No Fear: Macon Reed at ICA Baltimore

by Michael Anthony Farley on December 15, 2016
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In her new show Who’s Afraid of Magic? Macon Reed present a playful DIY-meets-high-femme body of work about witch hunts, misogyny, and violence.

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Fear and Loathing in Trump’s America

by Michael Anthony Farley on November 10, 2016
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I’ve been drinking pretty much non-stop from around 7 p.m. on election night to about 12 hours ago. That’s when the realization sunk in that the world hasn’t ended—yet—and I had to work today, sober.

I guess cultural commentators are supposed to provide some sort of eloquent, thoughtful observations in times like these. But there’s just not a lot I can muster beyond repeatedly screaming “FUUUUUUCK!”

All I can add to the echo chamber of despair is an honest account of how one white queer person on Medicaid and food stamps —who is scared shitless for my nieces, and my nephew with disabilities, and my chosen family that’s disproportionately comprised of trans*, immigrant, outspoken, poor, black, brown, and female bodies—has been trying to cope.

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