From the category archives:

Briefly Noted

Three Shows: Beki Basch, Hein Koh, and “Photo Flesh”

by Michael Anthony Farley on May 19, 2017
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The next week is a good time to do some art-seeing on the westside of downtown Baltimore. Michael Jones McKean’s commission from The Contemporary has transformed an old department store into a dystopian museum and it’s teriffying and great. You can check it out by appointment until May 31st, when it will be deinstalled. Luckily some of the city’s strongest artist-run spaces are within a few blocks of the show and also tend to accommodate by-appointment viewings. I checked out three openings last weekend: Beki Basch’s trippy Vision Quest Lundi: Flush / Flood at Current Gallery, Hein Koh’s technicolor wonderland Joy & Pain at Platform, and the group show Photo Flesh at Terrault Contemporary featuring three international genre-bending photographers from the Birmingham School of Art.

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This Is the Last Week to See Philip Guston at Hauser & Wirth, if That’s Your Thing

by Michael Anthony Farley on July 26, 2016
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How many nearly-identical Philip Guston paintings do you need in one show? If you answered more than 50, but less than 100, be sure to head to Hauser & WIrth before Painter, 1957 – 1967 closes on Friday.

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The Great Firewall of GIFs: Miao Ying’s Chinternet Plus

by Michael Anthony Farley on July 8, 2016
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Currently featured as part of the New Museum’s First Look: New Art Online series, Miao Ying’s “Chinternet Plus” takes on Chinese web censorship, corporate aesthetics, and propaganda with the power of .net art.

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Feminism Revisited: Regina Granne at A.I.R. Gallery

by Corinna Kirsch on April 14, 2015
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Walking into Regina Granne’s show at A.I.R. Gallery, ABOVE THE CLOUDS AND UNDER THE RADAR, might make you ask questions you hadn’t ever planned on asking, like: Who was Regina Granne, and why did she make paintings that look like I’m looking at the world through the eyes of a lopsided dog?

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In Praise of the Virus: Anicka Yi’s You Can Call Me F at the Kitchen

by Corinna Kirsch on March 24, 2015
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Artist Anicka Yi’s You Can Call Me F takes our obsession with feminine cleanliness to a science-fiction extreme: Women have been reimagined as a “virus,” as a deadly problem. But it’s really hard to know that, if you don’t take a look at the press release first.

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