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The Art Gallery of Ontario

This is What Accessible, Barrier-Free Curating Looks Like

by Rea McNamara on May 27, 2016
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Toronto, as a whole, is not a very accessible city. While institutions like the Art Gallery of Ontario have multi-sensory and ASL interpreter tours, there are still stairs everywhere, and it’s not uncommon for smaller galleries or artist-run spaces to apologetically note their washrooms aren’t wheelchair accessible.

Over the past five years, though, there’s been a rise in art that addresses disabilities and madness, not to mention a demand that its paces are truly barrier-free. Last month, Harbourfront Center mounted Cripping the Stage: A Disability Arts Cabaret featuring local disabled artists like jes sachse, Syrus Marcus Ware and Lynx Sainte-Marie.

The event was co-presented by the British Council and Tangled Art + Disability. The local performing arts cum multidisciplinary non-profit supports artists with disabilities, and now has a new exhibition space. And it’s not just any space. They’ve moved into 401 Richmond, a building filled with high profile artist-run centers like A Space, YYZ and Gallery 44. It’s an entrenched arts hub that’s doesn’t just give a gallery space to any organization.  

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Wavelengths 2: Notes on The Archive

by Paddy Johnson on September 9, 2012
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Watching Lillian Schwartz’s UFOs in 3D last night made me very happy. It was the closing film at TIFF’s second night of Wavelengths screenings at The Art Gallery of Ontario’s Jackson Hall, and the highlight so far. Schwartz was one of the first to use computer code to create videos as art, and the work—made in 1971 at Bell Labs—still looks amazing.

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Wavelengths: Doing Away With Formulas

by Paddy Johnson on September 8, 2012
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“That wasn’t the [Thomas Demand] film we intended to screen,” curator Andrea Picard informed the audience after the Wavelength screening last night at the Art Gallery of Ontario (AGO). Demand was one of five participating artists in the program, which included Fern Silva, Shambhavi Kaul, Blake Williams and Ernie Gehr, and arguably the weakest inclusion.

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Philosophers and Donors Invited to MoCA’s Living Room

by Paddy Johnson on March 30, 2016
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Say good-bye to the Museum of Canadian Contemporary Art (MOCCA). Henceforth the institution will be referred to as “The Museum” — or The Museum of Contemporary Art, or “everyone’s living room”.

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