Archive of Paddy Johnson

Paddy Johnson is the founding editor of Art Fag City. In addition to her work on the blog, she has been published in New York Magazine, artreview.com, Art in America, The Daily, Print Magazine, Time Out NY, The Reeler, The Daily Beast, The Huffington Post, The Guardian, and New York Press, and linked to by publications such as The New York Times, The Wall Street Journal, New York Magazine, Boing-Boing, The New York Observer, Gawker, Design Observer, Make Magazine, The Awl, Artinfo, and we-make-money-not-art. Paddy lectures widely about art and the Internet at venues including Yale University, Parsons, Rutgers, South by Southwest, and the Whitney Independent Study Program. In 2008, she became the first blogger to earn a Creative Capital Arts Writers grant from the Creative Capital Foundation. Paddy is also the art editor at The L Magazine, where she writes a regular column.

Paddy has written 1137 article(s) for AFC.

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Paddy Johnson

If a Tree Falls in the Forest and There’s No New York Art Critic to Review it, No One Cares

by Paddy Johnson on August 27, 2015
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I like looking. It’s why I write at Art F City, and why, every summer, I chose to vacation in the wilderness. I don’t want to stop looking, but I need a break from the rest of the job.

Spending a bunch of time on a trail makes that easy. This year, I spent part of my vacation at Cape Breton Highlands National Park in Nova Scotia. One of the best qualities of visiting a national park: admission doesn’t come with a press release telling you what to think about your experience and why it’s important to humanity. Nobody expects visitors to theorize their experience in the woods or even reflect on it. The job is just to enjoy it. (Which I did.)

More after the jump.

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Updated: City Councilmen Holdup Bill to Save the City’s Artists and Small Businesses

by Paddy Johnson on August 26, 2015
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What is it going to take to get city politicians to start doing the right thing? It costs a small fortune to live in this city and when bills are introduced that would help give a leg up to artists, there isn’t enough support to get them off the ground.

Case and point: The Small Business Jobs Survival Act. This is a bill that will help commercial tenants facing displacement from rising rents—including artists’ studios and small businesses—and it currently has only 23 of the 26 votes it needs to pass.

The bill would require commercial landlords to offer ten-year leases to all existing tenants who’ve paid their rent on time. If the two sides can’t agree on terms, they go to arbitration. Currently a landlord doesn’t have to renew a tenant’s lease, can kick the tenant out whenever it suits them, raise their rent exorbitantly, and the tenant has no means of contesting the decision.

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Highlights from the Creative Capital Retreat: Part Two

by Paddy Johnson on August 21, 2015
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What were the craziest presentations at this year’s Creative Capital retreat in Troy? In my first installment I provided a brief overview of the arts granting agency’s conference—it’s several days in an auditorium listening to amazing artists give seven minute presentations on their projects—and discussed the work of three stand out artists: Lorraine O’Grady, Brittany Nelson and Narcissister. This week I highlight three more. Let’s get this started.

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May the Light of iPhone Shine Down Upon Us

by Paddy Johnson on August 7, 2015
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What a strange coming of the Lord, Anthony Antonellis‘s stained glass iPhone presents. Unlike most places of worship, this space is entirely empty, lit only by the glow of the phone. This version of the phone doesn’t appear to connect us with anyone. Is this what life with a smart phone is like; solitary and quiet? The space reminds me less of a temple than it does a movie theatre; a place where we sit together in silence while sharing something of a communal experience.

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Highlights from the Creative Capital Retreat: Part One

by Paddy Johnson on August 7, 2015
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The Creative Capital Retreat took place two weeks ago now, and I’m still thinking about it. Nearly every year the organization invites grantees from their latest grant cycles to give seven minute presentations on what they have or will do to a room full of professionals. This year, though, was more emotional than usual. Ruby Lerner, Creative Capital’s Founding President and Executive Director announced she would be retiring earlier in the year, and it’s her vision and guidance that has helped make Creative Capital so unique. With the help of the Warhol Foundation, a strong board and staff, and a robust philanthropic community, the granting agency has done more to help artists than almost any other I know. It’s not just that artists receive a $50,000 grant—though that’s certainly helpful—but that they get access to an incredible array of professional development programs. This retreat is their flagship event.

More after the jump.

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