Archive of Paddy Johnson

Paddy Johnson is the founding editor of Art Fag City. In addition to her work on the blog, she has been published in New York Magazine, artreview.com, Art in America, The Daily, Print Magazine, Time Out NY, The Reeler, The Daily Beast, The Huffington Post, The Guardian, and New York Press, and linked to by publications such as The New York Times, The Wall Street Journal, New York Magazine, Boing-Boing, The New York Observer, Gawker, Design Observer, Make Magazine, The Awl, Artinfo, and we-make-money-not-art. Paddy lectures widely about art and the Internet at venues including Yale University, Parsons, Rutgers, South by Southwest, and the Whitney Independent Study Program. In 2008, she became the first blogger to earn a Creative Capital Arts Writers grant from the Creative Capital Foundation. Paddy is also the art editor at The L Magazine, where she writes a regular column.

Paddy has written 1541 article(s) for AFC.

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Paddy Johnson

Explain Me: What it Really Means to be A Mid-Career Artist: A Talk with LoVID’s Tali Hinkis

by Paddy Johnson on August 21, 2018
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LoVID‘s Tali Hinkis joins us in the studio to discuss the challenges of being a mid-career artist outside of New York. In this episode we discuss how to navigate it all from engaging a general audience to getting grants and networking. A refreshingly frank talk about what mid-career actually looks like for artists and what it takes to get there.

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We’re So Not Getting the Security Deposit Back: DC Edition

by Paddy Johnson on August 5, 2018
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Last October, we published the first edition of our zine series, We’re So Not Getting the Security Deposit Back: A Guide to Defunct Artist Spaces in partnership with Beltway Public Works in DC. Today, we’re making it freely available to all in the form of a PDF. (If you want the physical version please contact AFC directly paddy@artfcity.com)

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Explain Me: The Case for Taxing The Hell Out of Peter Brant

by Paddy Johnson on July 16, 2018
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In this episode of Explain Me William Powhida and Paddy Johnson discuss the horrific business practices of Peter Brant and Interview Magazine, a fundraising campaign at University of North Carolina so misguided that firing is in order, and the latest headscratching Creative Time project. To help us discuss all of this, and how the new tax code will affect artists accountant and painter Hannah Cole joins us.

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Explain Me, Part II: Doug Aitken’s New Era, Worst Show of 2018

by Paddy Johnson on June 7, 2018
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In Part II of Explain Me, William Powhida and I discuss the difference between relational aesthetics and social practice, the whims of the auction market and the perilous affect it can have on artist careers, and Doug Aitken’s train wreck of a show at 303 Gallery along with a handful of truly remarkable shows. Those shows listed after the jump.

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Explain Me: Bags of Cash Help New Galleries

by Paddy Johnson on June 6, 2018
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In this episode we discuss how the Frieze Art Fair’s failing air conditioning units won’t help global warming, sales strategies for emerging artists, and galleries that have come and gone. Look to Part II where we discuss the difference between social practice and relational aesthetics and discuss the Doug Aitken show at 303.

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Explain Me: Related Utopias—Bitcoin Economies and the Art World

by Paddy Johnson on May 1, 2018
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This week on Explain Me, William Powhida and Paddy Johnson talk with artist Kevin McCoy about Blockchain, Bitcoin and the Monegraph. This episode is your ultimate bitcoin/blockchain/monegraph explainer.


LINKS 

Monegraph

Seven on Seven, 2014

Public Key/Private Key

READING LIST  

Hito Steyerl – If you don’t have bread, eat Art!
Does Digital Culture Want to be Free?
How blockchains are transforming the economy of cultural goods

http://www.academia.edu/33838249/Does_digital_culture_want_to_be_free_How_blockchains_are_transforming_the_economy_of_cultural_goods

Show sponsor:

Superfine

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Explain Me: The New Museum Triennial—Two Critics Perform Their Own Acts of Sabotage

by Paddy Johnson on April 18, 2018
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In this episode of Explain Me, Paddy Johnson and William Powhida discuss the New Museum Triennial. Both Johnson and Powhida agree this show has more of its fair share of bad art but only Powhida sees this as a dealbreaker. Debate ensues. The ad in which Pepsi and model Kendall Jenner create world peace gets a mention.

Thanks to Explain Me sponsor, Superfine

Laura Ouramonde

Lydia Ourahmane, “Finitude, 2018, Courtesy of the Artist

Chemu Ng’ok Image via: Hyperallergic

Chemu Ng’ok Image via: Hyperallergic

 

Anupam Roy installation view

Anupam Roy installation view

Gresham Tapiwa Nyaude, The New Zimbabwe (2018) at "2018 Triennial: Songs

Gresham Tapiwa Nyaude, The New Zimbabwe (2018) at “2018 Triennial: Songs

 

Manolis D. Lemos, dusk and dawn look just the same (riot tourism), 2017 (still). Courtesy of the artist and CAN Christina Androulidaki Gallery, Athens

Manolis D. Lemos, dusk and dawn look just the same (riot tourism), 2017 (still). Courtesy of the artist and CAN Christina Androulidaki Gallery, Athens

Haroon Gunn-Salie “Senzenina” (2018), an installation by the South African artist Haroon Gunn- Salie, memorializes the 2012 police massacre of striking miners in his homeland.

Haroon Gunn-Salie “Senzenina” (2018), an installation by the South African artist Haroon Gunn- Salie, memorializes the 2012 police massacre of striking miners in his homeland.

 

Hardeep Pandhal, Pool Party Pilot Episode, 2018, 4K animation, color, sound; 8:10 min. Hardeep Pandhal.

Hardeep Pandhal, Pool Party Pilot Episode, 2018, 4K animation, color, sound; 8:10 min. Hardeep Pandhal.

 

Tomm El-Saieh

Tomm El-Saieh

 

Tiril Hasselknippe

Tiril Hasselknippe, installation view

PRONOUNCIATION GUIDE

Gary Carrion-Murayari

** Carry-on Mur-uh-yar-ee

Tomm El-Saieh

** El-say

Lydia Ourahmane

** Oura-ha-mane

Chemu Ng’ok

** Chem-oo Nuh-gok

Gresham Tapiwa Nyaude

** Tap-ee-wa Naw-u-deh

Manolis D. Lemos

** Man-o-lis Lem-os

Tiril Hasselknippe

** Tir-ill Has-ul-nip

Hardeep Pandhal

** Pand-al

Haroon Gunn-Salie ** Sal-ley

Anupam Roy

** A-new-pam

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Explain Me: The Spring Break Art Show Part One and Two With Pictures!

by Paddy Johnson on March 17, 2018
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Last week William Powhida and I spent an enormous amount of time at the Spring Break Art Show. We had so much to say about the show we produced two podcasts and discussed many booths at length. In the first podcast, we give the lay of the land in art fair world (we discuss the character of other fairs, and SPRING/BREAK), identify themes, and get the bad art out of the way. We also collect a few pitches from those in booths, so those who couldn’t attend the fair could get a sense of what it was like. In the second podcast we go deep on a few booths and try to give a more thorough analysis of what we saw.

There are however some limitations to what we can do with a podcast, and one of them is visuals. Handily, Art F City manages those just fine, so in this post I assemble images of a lot of the work we discuss so that listeners have a few cues. That said, a disclaimer needs to be made: some of these photographs suck. I’ve tried whenever possible to use press images, but in some cases, I wasn’t able to make that happen. You’ll know the difference, and I’m sorry.

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Hans Ulrich Obrist Interested in Time, Hans Ulrich Obrist

by Paddy Johnson on March 16, 2018
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The line for last week’s keynote lecture at the Armory Show was as long as the speaker’s resume; slated to talk was Hans Ulrich Obrist, artistic director of the Serpentine Gallery and arguably the most famous curator in the world. But since Obrist is a fixture at large art fairs, the huge turnout was a surprise. Having watched a few of his interviews online, I worried that the talk would be a pretentious ramble. My fears weren’t entirely unfounded, though no one could accuse Obrist of lacking enthusiasm as he spent well over an hour discussing notions of time, the archive, unrealized projects, and the Serpentine’s recent shows. Central to all of this was his belief in the freedom to experiment.

But Obrist’s talk had limited success in getting attendees fired up, likely because of the curator’s consistent failure to fully elucidate his themes.

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Carol Cole: Cast a Clear Light at The Weatherspoon

by Paddy Johnson on February 21, 2018
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Exciting news: I’ve co-curated an exhibition of Carol Cole’s work and collection at the Weatherspoon with Emily Stamey! This exhibition is long overdue, so I’m proud to have had a part in making it happen. Carol Cole: Cast a Clear Light opens March 3rd and will run through June 17th. If you have a chance to see it, make it happen. You won’t be disappointed.

Press release after the jump.

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