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Hi, Artists! Autumn 2015 IMG MGMT Application Now Open

by The AFC Staff on July 6, 2015
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We’re now accepting applications for our autumn 2015 IMG MGMT series! Deadline is August 1.

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GIFs That Made Our Year

by Paddy Johnson and Whitney Kimball on January 2, 2015

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At this point, 2014 is still a wash; trending words included “asphyxiation” and “misogyny”, but the most-typed phrase was an emoji heart. Naturally, we turn to GIFs. Here are the year’s “GIF of the Day” highlights, in creative standouts, minor cultural milestones, and mostly, things we couldn’t stop thinking about because they were so weird.

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Adventures In Selling Experimental Video Art: An Interview With Undervolt & Co.

by Marina Galperina on November 25, 2014
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“We are very open to the fact that we do not know how distribution will work in our post-internet age.” Johnny Woods, co-founder of the video art label Undervolt & Co., reflects on (almost) a year of selling experimental artworks online.

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This Week’s Must-See Art Events: Pumpkinhead Appreciation, and a New Sarah Thornton Book

by Whitney Kimball on October 27, 2014
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Our plastic pumpkin baskets overfloweth.

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This Week’s Must-See Art Events: Go Big or Go to the Beach

by Whitney Kimball on July 8, 2013
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Incoming! Prepare for the vomit wave of summer group shows. Due to the high volume of openings there, we’re sticking mostly to Chelsea this week.

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Ten Summer Specials For the New York Art World

by Whitney Kimball on June 8, 2013
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So you’re still in New York and reading the blogs. Here are ten fun shows made for summer, from McCarthy’s twisted forest, to MonkeyTown, to a survey of New York’s untapped Jews.

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This Week’s Art Events

by Whitney Kimball on January 14, 2013
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This week, we’ll be attending an underground animation screening, a ton of international exhibitions, and the re-re-reopening of the Seaport Museum.

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IMG MGMT: Ruin Value

by Aaron Williams on June 14, 2016
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I keep a folder of images on my desktop, culled from internet searches and random meanderings around the net. There isn’t much curation involved in these images, and I’m not always sure why an image calls to my collection, but themes arise nonetheless. A unifying quality is the bleak reality that’s laid bare by the breakdown of a system– bygone expressions of power like Brutalist architecture, panopticons, and military camouflage. I feel ambivalent about these images, uncomfortable with taking pleasure in the aesthetic forms that hides insidious subtexts.

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We Went to Chicago: West of the Loop Edition

by Robin Dluzen and Pedro Velez on April 25, 2013
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Is “Psychosexual” at Andrew Rafacz gallery a portrait of the collector-psychologist-curator? Is Oliver Henry’s coffee creamer drawing charming? And can a pair of socks ever be a metaphor for the Gaza-Israel conflict? Critics Robin Dluzen and Pedro Vélez discuss.

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