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Adam Parker Smith

We Went to Soft Core at INVISIBLE-EXPORTS and Close to the Skin at Company Gallery

by Michael Anthony Farley and Corinna Kirsch on July 8, 2015
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It’s always a surprise to see a group show, think you “get it,” and then read the curator’s statement and realize you’re totally off. That was my experience of almost everything we saw. That’s rewarding in its own way, though. And it gives me optimism that there are artists and curators veering away from the obvious, overly referential, and aesthetically homogeneous.

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This Week’s Must-See Art Events: So Many Romantic Loners

by The AFC Staff on April 15, 2015
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This week, the art world plays punk teen-fantasy dress-up: feminist CD-ROMs, soap-opera karaoke, protest discussions, and DIY costumes. Whee!

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This Week’s Must-See Art Events: Let’s Get Real

by Corinna Kirsch and Whitney Kimball on January 13, 2014
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If the economy has given us one gift in the emerging art world, it’s a lot of activities involving sweatbands and opportunities for cheap dates. This week is no different.

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This Week’s Must-See Art Events: Migratory Art Horses Return, Marking Beginning Of Spring

by Whitney Kimball on March 25, 2013
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Don’t worry about Tilda. As MoMA and the Armory become even greater parodies of themselves, and after a long series of depressing gallery trips, things outside the mega-art world are looking up.

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Bushwick Open Studios, 2012: Tidings from a New Frontier

by Paddy Johnson on June 7, 2012
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What do the results of navigating over 500 Bushwick Open Studios (BOS) look like? We don’t know—we didn’t attempt to see half that many galleries. Still, we were able to produce a few highlights from the work we saw. What we liked, what we sort of liked, and WTF, after the jump.

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Bushwick Basel Participants Report: BOS a Success

by Paddy Johnson on June 5, 2012
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At 1,500 bucks, Bushwick Basel might have the smallest operating budget of any art fair we’ve been to, but it drew some of the largest crowds at this weekend’s Bushwick Open Studios. Debuting at artist and fair organizer Jules de Balincourt’s Starr Space, the fair attracted 11 galleries from around the neighborhood. It was, by many accounts, a success.

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