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The Revolution Might Still Be Televised: “Public Access/Open Networks” At BRIC House

by Emily Colucci on March 31, 2017
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Sometimes an exhibition succeeds more as a source of creative inspiration than a collection of timely artworks. Nowhere is this more apparent than in the current group exhibition Public Access/Open Networks at the Gallery at BRIC House.

The show, curated by BRIC’s Jenny Gerow with freelance curators Reya Sehgal and Lakshmi Padmanabhan, gathers historical and contemporary video art that was broadcast publicly whether through public access TV or YouTube. The physical exhibition is just aspect of the show, which also includes an assorted program schedule of screenings, live tapings and symposiums.

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Chroma Lives: This is What a Tasteful Condo Showroom Looks Like

by Rea McNamara on June 15, 2016
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The Yorkville neighborhood is to Toronto what the Upper East Side’s Park Avenue is to New York. In a word: bougie. Back in the 1960s, it looked considerably different; as Canada’s equivalent to Greenwich Village, it was known for its waify bohemians, coffee house folk scene and a gallery district anchored by influential commercial gallerists like Walter Moos and Mira Godard. But offices and hotels were eventually built, followed by high-priced condo developments amongst the still remaining Victorian rowhouses now listed for over a million each. Yorkville’s biggest attraction is now it’s “Mink Mile”, a high-end luxury shopping strip that caters to the affluent residents of Rosedale and Forest Hill.

Given all this, perhaps it’s not surprising that at first glance, one could mistake the group exhibition Chroma Lives for an interior design showroom. Located in the presentation center for the Yorkville Plaza condo development on Avenue Road, curators Erin Alexa Freeman and artist Lili Huston-Herterich have filled the space with household items like walnut furniture, succulents planted in unglazed ceramic pots, and clothing hung on a rack. Not much distinguishes this simulacrum of affluence from present-day realities, especially at a time when luxury real estate has been engineered to include art walls and humidity systems to attract art-centric buyers.       

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“The Real Estate Show” Slideshow and Commentary

by Whitney Kimball on April 8, 2014
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Thirty years later, the site of the “Real Estate Show” is finally getting developed. Original “Real Estate Show” members have mixed feelings.

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The ABC No Rio Interviews: Alan Moore

by Whitney Kimball on July 9, 2012
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This week, I interview historian and ABC No Rio co-founder Alan Moore about the first few years at No Rio, beginning in 1980. In addition to frequent eviction attempts from the waterlogged building, he remembers: “people were breaking into the gallery and taking whatever they could. It was a drag, but you had to deal with it. At one point, we fortified the doors, and they broke through the walls.”

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