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This Week’s Must See Art Events: Cuban Death Metal Sci-Fi, Art Book Fairs, and More

by Michael Anthony Farley on September 13, 2016
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One of the great things about the art world is its permeability with other fields. Except that can seriously compound one’s #FOMO when one’s art calendar gets squeezed by spillover from Fashion Week in Manhattan, three publication fairs across the East River, political organizing, and art-film screenings. Phew.

Wednesday, catch some more conventional art openings uptown and in Chelsea with solo projects from Henry Hudson and Oscar Murillo, respectively. (Actually, Murillo’s vaguely haunted-house sounding installation promises to be anything but conventional). Thursday, check out Jessica Stockholder’s latest work at Mitchell-Innes & Nash, gender-bending in the Garment District, and black-metal-meets-science-fiction-literature from Cuban artist Yoss (how’s that for interdisciplinary?)

That night, Printed Matter’s NY Art Book Fair is having a preview party. It will be running all weekend, along with the new Independent Art Book Fair in Greenpoint. Friday brings us group shows about failure at TSA New York and Radiator Gallery and Saturday there’s a mysterious fashion/art event at Romeo with an all-star cast to raise funds for Planned Parenthood. Finally, Paddy Johnson is hosting an anti-gentrification panel discussion in Sunnyside, Queens that’s an absolute must-attend. And if you want to remember why we want to keep the city weird, end the day in the immersive-subversive film installation of Jon Moritsugu at Ramiken Crucible in the LES.

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This Week’s Must-See Art Events: Augmented Reality, Black Lives Matter, Bromoeroticism, and More

by Michael Anthony Farley on August 1, 2016
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It’s August. Very few people are having openings. Which is okay, because you can catch up on some other activities. Such as reading and sports! Head to Printed Matter’s pop-up on Tuesday, then head down to Basketball City for a friendly game with the folks from NADA. Wednesday, the Con Artist Collective is having a $99 art sale in the spirit of a Lower East Side Bodega. Thursday, the New Museum has all sorts of techy delights as they unveil New INC projects and Carter Burden Gallery is hosting a trifecta of medium-specific shows. End the night at the Brooklyn Museum, where Juliana Huxtable will be DJing from within a Tom Sachs installation (uh, hello all my favorite things!). Friday, identity politics gets graphic with Sean O’Connor’s wallpaper-like paintings of homoerotic sports stuff at the Leslie Lohman Museum of Gay and Lesbian Art and Carla Cubit’s Black Lives Matter posters at chashama.

The Queens Museum is on-point with public programming on Saturday, from plastic bag portraits from Nobutaka Aozaki in Flushing and artist tours of Newtown Creek, where many plastic bags have been flushed. And Sunday, there’s Alma Thomas’s dreamy abstract watercolors uptown at the Studio Museum or some timely dystopian cinema at BAM. Thank you, institutions, for giving us stuff to do while the Chelsea crowd is off using “summer” as a verb.

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This Week’s Must See Events: Fear and Loathing in the Art World

by Rhett Jones on July 25, 2016
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Politics, politics, politics. Practically every event we have this week has some sort of political edge. From a video art retrospective dedicated to the political conventions of 1972 to Martha Wilson invading the persona of Trump, the campaign season is infiltrating the exhibition space.

Take a break from being yelled at on Facebook by someone you’ve only met once and hit the gallery. People will surely be more open to a dialogue when they can’t just click unfollow. Right? Right???

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This Week’s Must-See Art Events: Old School Survival

by Paddy Johnson and Rea McNamara on June 6, 2016
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Urban survival, whether it’s the cost of living in New York or even riding along Sag Habour in a self-sustaining houseboat, looms largely in this week’s events. Tonight’s lecture at the Morbid Anatomy Museum suggests that this dates back to Weimar Berlin’s era of anarchy and decadence, where fake fakirs — religious ascetics who live solely on alms — got by with their gnarly nails and pins piercing. Flash forward to Saturday’s MoMA opening of Nan Goldin’s famous 1986 visual diary “The Ballad of Sexual Dependency”, and those piercings became the battle scars of surviving the East Village’s punk bohemia. Today, we’re thankfully more practical in eking out our incomes: we look to the sun and its instruments (see this Thursday’s opening of the “Heliotropes” group show at Geary Contemporary) or envision terrible futures in our analogue pasts (“that old school dystopia” at Theodore:Art on Friday). But sustainability, if we quickly cut to the chase, really involves supporting each other, which is why this weekend’s workshops around the nuts and bolts of artist finances or even writing and editing an artist statement will get you ahead. No need for any physical scars.

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This Week’s Must-See Art Events: The Art World’s Grand Sausage Grinder

by Michael Anthony Farley and Rea McNamara on March 21, 2016
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Even though there was a dusting of snow in Manhattan this morning, spring is truly here, as attested by this week’s round-up of events. For graduating students wrestling with the possibility of a post-May malaise regarding their art world career prospects, Devin Kenny’s free Tuesday lecture at Cooper Union on cultural personas through the ages may or may not help in navigating all this talk about artist personal branding. (Yes, we just wrote that unironically.) On Wednesday, BOMB Magazine launches its spring issue at Brooklyn’s Greenlight Bookstore with readings by issue 135 contributors Álvaro Enrigue and Kate Zambreno. Now 35 years old (!), its artists-talking-to-artist format remains timely and engaging. And Friday’s double openings at Postmasters — AFC SPRNG BRK Man Boobs winner Paul Outlaw with Jen Catron and Zach Gage — promises a boat ride through experience economy overload and Google search autocomplete poetry, respectively.

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This Week’s Must-See Art Events: Hacking Dystopias

by Michael Anthony Farley on February 22, 2016
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This weekend’s must-see events include a lot of AFC’s friends and favs, from Friday’s discussion on hacktivism as part of Joyce Yu-Jean Lee’s project FIREWALL Internet Cafe to fundraiser events featuring the work of AFC’s own Matthew Leifheit and F.A.G. Bar artist Macon Reed on Saturday and Sunday, respectively. But during the week, do check out solo shows from Leanne Shapton (Tuesday) and Sherrie Levine (Wednesday). Thursday’s all about dystopia, with sci-fi cityscapes by Romain Erkiletlian and found hyper-generic product packaging from Maryam Jafri. Hack on, New York. 

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This Week’s Must-See Art Events: It’s All About the Turtlenecks

by Michael Anthony Farley and Rea McNamara on December 8, 2015
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This week’s expectedly slow post-ABMB madness, so let’s take a moment to recognize the hard work of art handlers, who had to pack up and deliver all those art fair works. Appropriately enough, the Art Handlers Alliance of New York is hosting a happy hour tonight at Brooklyn’s Interference Archive to talk shop and fair wages. Tomorrow, pick between a big screening of a Hollywood blockbuster (Ridley Scott’s The Martian at MoMA), or a panel discussion parsing Robert Frank’s The Americans (Further Down the Line at Lisa Cooley). Thursday and Friday mark digital art openings at the Pratt Manhattan Gallery (the Christiane Paul-curated surveillance-minded group show, Little Sister) and Postmasters (Kristin Lucas and Joe McKay’s user designer mishaps Away From Keyboard). Post-Postmasters opening, get your fill on turtlenecks with the launch of Catharine Maloney’s Teleplay, Part I photographic series at Printer Matter.

And, since this is December, the weekend promises holiday markets: Saturday’s Tropic-Aire at Regina Rex sounds like, in the words of Michael a “love child from a one-night-stand between a suburban holiday craft fair and NADA”, and Sunday’s Holiday Intercourse at Pioneer Works gives you a good reason to head out to Red Hook. Don’t go into winter hibernation just yet.

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