Posts tagged as:

Rhizome

Why Rhizome’s $600,000 Mellon Grant is a Big Deal for Digital Preservation

by Rea McNamara on January 5, 2016
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New York-based new media non-profit Rhizome announced yesterday it was awarded a two-year $600,000 grant by the Andrew W. Mellon Foundation to build Webrecorder, a tool that allows users to archive the internet’s “dynamic content”.

It’s a big deal—the largest grant the organization has received in its 20-year history, and a signalling of the importance for institutions to steer the development of tech tools.

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The Best of Art F City, 2015

by Rea McNamara on December 31, 2015
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Revisiting the ‘Simple Net Art Diagram’, reviewing an art fair’s virtual tour, calling out Georg Baselitz, breaking news on the USC MFA Class, and even bringing back nerdocracy. Readers, we truly feel a real sense of accomplishment for the stories we wrote in 2015, especially after amassing them in a ‘Best of’ list such as this. We not only paid artists to attend art fairs, but also investigated sexism is arts publishing and even had two Renaissance cosmetics experts dish on body hair removal. Who else publishes this shit? No one.

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Will Electronic Superhighway Accurately Historicize New Media and Internet Art?

by Rea McNamara on November 13, 2015
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How has technology impacted art? Whitechapel Gallery will be addressing this question in a landmark exhibition launching in January 2016. Entitled Electronic Superhighway (2016-1966), the show will bring together over 100 multimedia artworks from the past 50 years. Over 70 artists will be involved, including Nam June Paik, Cory Arcangel, Lynn Hershman Leeson, Hito Steyerl, Jeremy Bailey, Amalia Ulman, Douglas Coupland and Judith Barry.

The show is clearly a major coup for its curator, Omar Kholeif, whose rise in the artworld has garnered comparisons with Hans Ulrich Obrist. It’s an ambitious survey that is much needed in a genre still struggling for institutional validation. So, it’s concerning that a majority of the internet art represented in the show will come via the archives of new media non-profit, Rhizome. While Rhizome has substantially impacted collecting and preserving digital art works, they still only represent the perspective of one organization.

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The Blockchain and Digital Art: On ascribe, and its New Form of Art Authentication

by Paddy Johnson and Rea McNamara on October 22, 2015
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Trying to understand blockchain technology is a bit like trying to wrap your head around the subprime mortgage crisis: It may take more than a lifetime to fully grasp the concepts. In a nutshell, the blockchain is a distributed database—think a living, breathing spreadsheet operating in real-time—that audits itself every ten minutes and can’t be tampered with. An entire bitcoin network, for instance, relies on the blockchain as a shared public ledger. Every transaction of the cryptocurrency then is unalterably recorded.

Turns out this is the equivalent of digital provenance, so it’s very important to art. We talked to ascribe, a company that is using Blockchain technology for art authentication and contracts.

While in Berlin, we had the chance to speak with their creative team—including co-founders Trent and Masha McConaghy—to get a better sense as to what exactly ascribe offers to artists, and delve further into how it plans to specifically address the ongoing issues around the ownership, loaning and consigning of digital art.

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Rhizome Names Its New Executive Director, Pratt Upload Names Its Keynote

by Paddy Johnson on October 1, 2015
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New York based New Media non-profit Rhizome.org announced this Tuesday that they have appointed Zachary Kaplan as their new executive director. That same day Pratt Digital Arts also named Lorna Mills as the keynote speaker for its digital media conference, Pratt Upload.

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