Posts tagged as:

Sarah Sze

We Went to No Man’s Land: Women Artists from The Rubell Family Collection

by Paddy Johnson and Michael Anthony Farley on December 21, 2015
Thumbnail image for We Went to No Man’s Land: Women Artists from The Rubell Family Collection

At the Rubell Family Collection, dozens of contemporary women artists working in every conceivable medium left us very impressed.

Michael: Here, the blue-chip market and a private collector managed to accomplish something many institutions or independent curators haven’t—presenting an all-female show that feels as if it has nothing to prove.

Paddy: I still can’t get over how many monumental art works in this show so effectively dominated the space that you’d literally feel awestruck by their presence.

Read the full article →

This Week’s Must See Art Events: Artists Anonymous and Jimmy Carter’s Cat

by Paddy Johnson Whitney Kimball Henry Kaye on July 14, 2014
Thumbnail image for This Week’s Must See Art Events: Artists Anonymous and Jimmy Carter’s Cat

With all the extra time on our hands during the slow months, we can finally check out a few works everybody’s been talking about. The legendary Sarah Sze-Venice Biennale Pavillion comes to the Bronx; a Ryan McNamara performance comes to the High Line; and Internet artists come to Spectacle Theater.

Read the full article →

Sarah Sze’s Famed Venice Biennale Piece Comes to the Bronx

by Whitney Kimball on June 27, 2014
Thumbnail image for Sarah Sze’s Famed Venice Biennale Piece Comes to the Bronx

Didn’t get to see Sarah Sze’s Venice Biennale pavilion? You’re in luck if you live in New York: The Bronx Museum will present that installation.

Read the full article →

We Went to Toronto: Scrap Metal, Daniel Faria, and Division

by Paddy Johnson and Corinna Kirsch on November 12, 2013
Thumbnail image for We Went to Toronto: Scrap Metal, Daniel Faria, and Division

Two weeks ago we flew out to Toronto to check out Art Toronto and the city’s gallery scene. Two totally different worlds. While the fair suffers from a lack of ambition, the gallery shows we saw presented a more balanced picture of the city as a whole. It’s not perfect, but at the very least we managed to take in some work by a few of the Venice Biennale’s better artists.

Read the full article →

Best of AFC: Summer Edition

by The AFC Staff on August 30, 2013
Thumbnail image for Best of AFC: Summer Edition

Did you beach too hard and forget to read this summer? Fear not, art lovers, for we bring you the second annual AFC Best of Summer list. We’ve brought together the blog’s greatest summer hits from staff and contributors, because, let’s face it, you might have missed out on days or weeks of AFC when you were traveling to Venice, Basel, or closer to home, the Rockaways. We’ve published some great artist essays with our STUFF series, started our “Diary of a Mad Gallery Owner” series, and continued to bring you reviews and opinion pieces. Enjoy.

Read the full article →

A Day for Detroit Round Up: Art F City Edition

by The AFC Staff on August 15, 2013
Thumbnail image for A Day for Detroit Round Up: Art F City Edition

Good God we were busy yesterday. We spent the day posting images from the Detroit Institute of Arts’ collection as part of “A Day for Detroit”, a co-ordinated blog effort designed to raise awareness about what could be lost were the collection to be sold. This effort was spearheaded by Modern Art Notes’ Tyler Green and was done in collaboration with approximately 20 other art blogs, who did the same on their sites, as well as some of Detroit’s professional art community. We asked artists, curators and dealers who either once lived in Detroit or live there now to name their favorite works from the DIA and to share their stories.

Read the full article →

A Strange, Spiritual Turn at the 55th Venice Biennale

by Corinna Kirsch on June 7, 2013
Thumbnail image for A Strange, Spiritual Turn at the 55th Venice Biennale

I have lukewarm feelings on this year’s Venice Biennale, which contains two distinct exhibitions: The Encyclopedic Palace, a 1,000-artwork-plus exhibition curated by Massimiliano Gioni, and dozens of national, pavilion-based exhibitions organized by curators from each country. Despite the slightly confusing fact that the theme of the Biennale as a whole is The Encyclopedic Palace, historically, the two exhibitions don’t have much overlap. But something different happened this year.

Read the full article →