- Dog burritos. Corinna prefers the pug that looks like an Ewok. Paul prefers the puppy that is wrapped in an actual tortilla. Paddy wonders what the selection criteria we’re all using, and would agree with Paul if there wasn’t the worry that puppy could accidentally be eaten. Given that that’s the case, Paddy chooses the terrier wrapped in leopard print. [Sad and Useless]
- After being cleared of phone-hacking charges, media maverick Rebekah Brooks is making headlines again. It is rumored that she will be rehired by Rupert Murdoch to head up the social-networking news site Storyful. Terrifying. [The Guardian]
- What makes a movie bad ass? A thoroughly convincing essay on the subject. [The Weeklings]
- Triennial reviews are coming out: AFC’s discussion of individual works includes this zinger from Corinna Kirsch “Panels leaning against pedestals. Where am I? An art fair?”. Over at artnet News, Paddy Johnson discuss the Triennial’s obsession with the figure. Holland Cotter at the New York Times says the show adds up to some of the most distinctive art of the past decade. Hyperallergic’s Thomas Micchelli finds the show lacks excitement, and its focus on technology given its ubiquitous presence “feels dated and even a little clueless.” Also at Hyperallergic, Benjamin Sutton found it too crowded. Art Agenda’s Andrew Stefan Weiner says the show looks like a Tumblr and has mixed feelings on its success. On the one hand there’s curatorial legerdemain. On the other, not all the works live up to artist and curator Ryan Trecartin’s example. ARTnews’s Andrew Russeth thinks the Triennial shows that “new ideas are on the rise,” and over at Christie’s, Brienne Walsh doesn’t think the show’s got enough cohesion. Given the number of cohesive moments identified by other critics, Walsh’s thesis is the most easily challenged of them all. [The Internet]
- Paul Chan’s Hugo Boss Prize exhibition gets a nod from Holland Cotter at the Times. The reason why, though, remains a bit convoluted. “Mr. Chan’s work is always surprising and as smart as art gets, which means, among other things, that it’s smart enough not to always give us the art we think we want.” [The New York Times]
- Yet another adventure in the life of the rich and famous. Swiss business magnate Yves Bouvier has been charged with fraud and money laundering for allegedly inflating the prices of Picasso, Modigliani, Gauguins; those works were then sold to Russian oligarch Dmitry Rybolovlev, who, if it matters to you, owns the Greek island of Skorpios, purchased from the Onassis family. [Luxembourger Wort]
- Artists David O’Reilly and Kim Laughton have tricked news outlets into thinking that #HYPERREALCG, a Tumblr “showcasing the world’s most impressive & technical hyper-real 3d art,” consists of CGI-based work. It’s just “art.” [Metafilter, #HYPERREALCG]
- In Bushwick, the Roberta’s Pizza Empire is crumbling. One of the three restaurant’s owners has split off, and is seeking $5.4 million for his stake in the company. [Brooklyn Magazine via New York Post]
- Meet Andy Warhol’s family, the Warholas. They’re kickstarting a film called Uncle Andy—with your help! Now, for the low price of $2,500, you too can own a “Rusyn Tradition Decorated Ostrich Egg” painted by Warhol’s niece Madalen. Abby Warhola is apparently well trained in the art of the selfie. [Artforum]
- Marina Abramovic is publishing a memoir. If you’re curious why the artist has decided to release a tell-all of her life in the former Yugoslavia, this is indeed about giving people “the courage to do the things they’re afraid to do in their own lives.” [Arts Beat]
Tagged as:
abby warhola,
Andrew Russeth,
andy warhol,
brienne walsh,
burritos,
david o'reilly,
dmitry rybolovlev,
dogs,
gauguin,
Holland Cotter,
Hyperallergic,
hyperrealcg,
kickstarter,
kim laughton,
Marina Abramović,
Modigliani,
New Museum,
Paul Chan,
picasso,
Pizza,
rich people,
Roberta's,
ryan trecartin,
storyful,
Triennial,
yves bouvier
Comments on this entry are closed.