Saul Chernick, “God’s Ridin’ Through this Land” 2014
- W Magazine attempts a “who’s who” of net art and indirectly asks the new-age-old question: is it really something you can make money off of? [W Magazine]
- Is anyone capable of reading as much news on the Venice Biennale as Artnews has produced? It’s our job to read it, and we can’t even get through it all. So far, Andrew Russeth’s review on Okwui Enwezor’s Central Show is the stand out—and while he says the show’s got its ups, the downs make me want to skip it. From the review: “All the World’s Futures”—tendentious, if well-intentioned—…lapses at intervals into a didactic and activist mode that can feel condescending, pedantic, or just scattershot.” Ouch. [Artnews]
- In light of Mary Kate Olsen’s deathly appearance at Monday night’s Met Gala, may we reintroduce this post devoted to a frail French woman and her devoted caretaker. [Gawker]
- Every Question In Every Q&A Session Ever [The Toast via: @BeanGilsdorf]
In politics:
- Britain has got to put up with conservative David Cameron for another election cycle. [The Guardian]
- After 43 years in power in Alberta, Canada, the tories lost to NDP’s Rachel Notley by an astonishing margin in the provincial election. Does this spell trouble at the national level for Harper’s Tories? Let’s hope so. [The Toronto Star]
- Hilary moves to the left on immigration. [The New York Times]
In other news
- Watch AB Soto dance in five hundred different glittering outfits. [Youtube via Metafilter]
- A new outdoor art installation in Chicago’s Loop has some astronomy-related spelling errors of mythical proportions. Someone probably should have googled “Jupitor” and realized that it doesn’t have its own “Cassiopedia” page. [Red Eye Chicago]
- The town of Hampton, Virginia is in trouble with the Federal Government over its arts commission mailing promotional materials at a nonprofit rate instead of a government rate. This wouldn’t be particularly interesting except for the fact that local artist Elizabeth Greene received a $50,800 settlement in exchange for blowing the whistle on this scandal. That’s a lot of stamps. [Daily Press]
- Peter Forakis’s epic geometric sculpture “The Atlanta Gateway” is finally getting restored after decades of neglect. [Curbed]
- The National Museum of African American History and Culture on the National Mall won’t open until 2016, way behind schedule. In the mean time, excerpts from the museum’s permanent collection will be on display at the National Museum of American History. [Washington Post]
- Will The Prado surrender its famed Hieronymus Bosch? In the words of José Pedro Pérez-Llorca, chairman of the museum’s board: “wait until hell freezes over.” The painting, and other pieces in the museum’s collection, are technically property of the Spanish Royal Family. Now that the new Museum of Royal Collections is set to open in Madrid, artwork with a kingly provenance could be plucked from museums across the country to be housed under one roof. This is probably going to get ugly. [The New York Times]
- And in a different kind of museum turf war, everyone hates the Frick Collection’s expansion plans. Artists including Jeff Koons, Frank Stella, and Cindy Sherman have banded together to protest the project, which would swap the Upper East Side museum’s beloved gardens for a 106’ tower. [Vulture]
- Ikea’s 2025 concept kitchen has some utopian suggestions for our horrible, resource-scarce, dystopian future. Remember that scene in Judge Dredd when the drone is rolling around the slums broadcasting “EAT RECYCLED FOOD! IT’S GOOD FOR THE ENVIRONMENT AND OKAY FOR YOU!”? [Apartment Therapy]
Comments on this entry are closed.