Sebastian Diaz Morales, “Suspension”, 2014. All photos by Marsha Owett.
What’s the best way to understand art? One tactic is to see a lot of it. Another is to spend time with artists. And yet another is to curate an entire show around the idea that artist practices are God’s gift to the world and include as many studios, meditations on studios, and virtual studio renderings as humanly possible. Guess which approach Biennale curator Christine Macel takes in the Giardini section. A look at the show below. Arsenale pics here.
Dawn Kasper, “The Sun, The Moon, and the Stars”, 2017
Mladen Zagreb
Dawn Kasper, “The Sun, The Moon, and the Stars”, 2017
Olafur Eliasson, “Green light – An artistic workshop”, 2017
Olafur Eliasson, “Green light – An artistic workshop”, 2017
Olafur Eliasson, “Green light – An artistic workshop”, 2017
Olafur Eliasson, “Green light – An artistic workshop”, installation view, 2017
Olafur Eliasson, “Green light – An artistic workshop”, 2017
Mcarthur Binion
Hajra Waheed
Hajra Waheed
Hajra Waheed
Hajra Waheed
Hajra Waheed
Hajra Waheed
Hajra Waheed
Marwan, various works, 1964-1966
Kiki Smith, Installation view.
Senga Nengudi
Firenze Lai, “Run Run Run” 2010, “The Singers” 2011 and “‘Look at you’” 2012
Andy Hope 1930, Installation view
Andy Hope 1930, Installation view
Andy Hope 1930, Installation view
John Waters, “Study Art Sign (Pride or Power)”, 2017
Hassan Sharif, “Hassan Sharif Studio (Supermarket), 1990-2016
Raymond Hains
Raymond Hains
Liu Ye
Liu Ye, book painting.
John Latham
Abdullah Al Saadi, “Al Saadi’s Diaries” 2016
Abdullah Al Saadi, “Al Saadi’s Diaries”, 2016
John Latham, “Reading Material”, 1990
Yelena Vorobyeva and Viktor Vorobyev, “The Artist is Asleep”, 1996
Katherine Nunez and Issay Rodriguez, “In Between the Lines 2.0” , 2015-2017
Mladen Stilnovic
Soren Engsted, “Levitation”, 2017
All images by Marsha Owett.
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