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Call for Submissions: We’re So Not Getting Our Security Deposit Back, Baltimore Edition

by Paddy Johnson on December 12, 2017
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Attention Baltimore artists and organizers! Art F City is compiling our second city-specific zine archiving defunct artist spaces. For our first edition, we focused on Washington DC, and for our second we’ll be focusing on Baltimore. That means if you’ve run an art space in the Baltimore area that is no longer in operation, we want to hear from you.  We want your story and your space in our zine. So fill out our survey, put together some pictures (300 dpi is best if you have it) and send it to submissions@artfcity.com by January 15th. The full call below.

Alex_Wein_Copycat_Project_small

Look around the sanitized streets of any contemporary city, and there’s a secret, often subversive history at risk of being forgotten. What’s now the nanny’s room in Brownstone Brooklyn might’ve been a tiny gallery in a riotous punk house. An American Apparel could have once been home to a cooperatively-run storefront space. And undoubtedly, those renovated loft condos once housed artists’ exhibition and studio spaces. Our cities are elephant graveyards of generations’ of artist’s aspirations and hard work made temporarily tangible. We ought to remember the artist-run space.

Art F City is pleased to announce We Are SO Not Getting the Security Deposit Back: a Guide to Defunct Artist-Run Spaces, a series of zines and e-books documenting the often-forgotten places where art making and viewing once happened. We’ll be releasing editions specific to cities such as New York, Baltimore, Chicago, and beyond, but welcome submissions from anywhere. If you were once a proprietor of a now-defunct artist-run space, or know someone who was, drop us a line. Whether your blood, sweat, and tears are barely dry or have long ago been whitewashed over, we want to hear your story.

Submit answers to the questions below to submissions@artfcity.com

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No Fear: Macon Reed at ICA Baltimore

by Michael Anthony Farley on December 15, 2016
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In her new show Who’s Afraid of Magic? Macon Reed present a playful DIY-meets-high-femme body of work about witch hunts, misogyny, and violence.

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We Went to Baltimore Part II: Platform, Springsteen, First Continent

by Michael Anthony Farley and Molly Rhinestones on July 14, 2016
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Artscape, Baltimore’s annual, gigantic public art festival, and the Artist-Run Art Fair launch this week. Yesterday, we posted about a few local galleries ahead of time to scope out what’s on view across town from the main festivities. Today, we’re discussing exhibitions from Melissa Godoy Nieto and Lane Harlan at Platform, Colin Foster at Springsteen, and Michael Assiff at First Continent. 

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We Went to Baltimore Part 1: Current & Open Space

by Michael Anthony Farley and Molly Rhinestones on July 12, 2016
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Artscape, Baltimore’s annual, gigantic public art festival, and the Artist-Run Art Fair launch this week. We visited a few local galleries ahead of time to scope out what’s on view across town from the main festivities. We saw too much art to fit into one post, but we’ll start off with solo projects from Jonathan Latiano, Jon Duff, and Jihyun Hong.

Molly: I want to preface this by saying I have a “cheeto as medium” art fetish to a fault…

Michael: This installation is so calmingly sparse I wanted to live in it. It’s also such a puzzling assortment of objects that everyone had a great time speculating what it was all about. Even a seemingly-inebriated couple who happened to be walking by the gallery had their take…

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The Printing’s on the Wall: Eva Wylie at ICA Baltimore

by Michael Anthony Farley on June 17, 2016
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In Eva Wylie’s solo exhibition with ICA Baltimore, the printmaker silkscreens collage-like imagery directly on the walls.

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Light City Baltimore Happened to a Resounding “Meh”

by Michael Anthony Farley on April 4, 2016
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For the past year, residents of Baltimore have been bombarded with hype about Light City, a free festival of music and “light art” in the Inner Harbor. The organizers have repeatedly compared it to South by Southwest and Art Basel (two extremely dissimilar events) and secured roughly $4 million in funding from a mix of public and private sponsors. But it seems like the only people excited about this thing are the people who paid for it.

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Brooklyn to Baltimore: A Celebration of Artist-Run Spaces

by Michael Anthony Farley on July 30, 2015
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The collective behind Brooklyn’s Transmitter gallery has partnered with Guest Spot @ The Reinstitute in Baltimore to present the exhibition Self-Organized — Aesthetics Politics of the Artist Run. The show ambitiously offers a cross-section of work by twenty-nine artists who have co-founded or directed art spaces or publications in New York, Baltimore, Latin America, Holland, and beyond.

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Artscape Week: Baltimore Gallery Highlights

by Michael Anthony Farley on July 23, 2015
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The area north of Lexington Market on the Westside of Downtown Baltimore had some of the best stuff we’d seen all weekend.

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We Went To Baltimore Part 2: Too Many Semi-Finalists in the Sondheim Semi-Finalist Exhibition

by Paddy Johnson and Michael Anthony Farley on July 21, 2015
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MICA
1300 W. Mount Royal Ave.
Baltimore, MD
Sondheim Semi-Finalist Exhibition
What’s on view: 54 Semi-finalists for the Sondheim Prize held inside several MICA Galleries. Lots of sculpture, lots of photographs, and a few paintings that made the short list for the Sondheim Prize, an annual open call juried exhibition for baltimore-area artists. (This includes artists living in cities like Washington.) There’s no theme, and no attempt to forge one. All the galleries were crammed with work.

Michael Anthony Farley: Really, I think everyone has the same complaint every year: there is just too much stuff! No matter what strategies are employed, the show just always feels overhung and uneven.

Paddy Johnson: Honestly, I think you’re being overly-generous to this show. It was terrible.

Find out why after the jump.

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