Following the trend of art museums expanding into weird pyramid shapes, the Tate Modern has completed a 10 story addition by Herzog & de Meuron. Today, they released images from architectural photographer Iwan Baan. And of all the art pyramids out there, the force is strong with this one.
Who would have thought 90’s nostalgia would have resurrected the Culture Wars? Following the Catholic League’s pearl-clutching over Mark Ryden’s perceived “very anti-Christian and anti-Catholic” paintings at the Virginia Museum of Contemporary Art’s exhibition Turn the Page: The First Ten Years of Hi-Fructose, a group of local Georgia politicians are up in arms over Art AIDS America at the Zuckerman Museum of Art at Kennesaw State University [NSFW image featured]
In response to a controversial Mark Ryden painting at the Virginia Museum of Contemporary Art, The Catholic League President Bill Donohue sent MOCA Director Debi Gray a letter describing a painting to offend Muslims. It’s pretty weird.
The prestigious Turner Prize shortlist has been announced, and true to precedent, provides plenty of fodder for the British tabloids. GIANT BUTT SCULPTURE UP FOR £25,000 ART PRIZE. RIDE A MODEL TRAIN AND CALL IT ART? But the four artists selected ,Michael Dean, Anthea Hamilton, Helen Marten, and Josephine Pryde, aren’t quite what we’ve come to expect from Britain’s highest-profile art circus. A lot of this work is dense, nuanced, and less overtly attention-grabbing than the butt cheeks would have us believe.
The prize won’t be awarded until December 2016, but in an effort to get out front of the nominations and award game, we’re debating the merit of these nominees today.
When an artist stops making work and attending shows, is there any chance the art world will remember them? No. For many, this just means one less artist to compete against for a grant application or open call.
Enter Residency For Artists on Hiatus (RFAOH), an organization dedicated to supporting artists who have put their practice on hold. During the course of the online residency, which lasts six months to a year, artists must produce a non-art project. Artists are then expected to maintain a blog on the residency’s website to not only reflect on and document the process, but examine what it means to suspend their art careers. (I wrote about the virtual residency program a few months ago.) Earlier this year, the residency was on hiatus itself: the project has largely been self-funded by co-directors Shinobu Akimoto and Matthew Evans, and they were awaiting news of institutional support. Last week, RFAOH announced their third open call for applications to its 2016/2017 programme, thanks to funding from the Canada Council for the Arts.
The Barnes Foundation is about to get a system-wide update. Best known for its collection of Impressionist, Post-impressionist and early modern paintings, the Foundation announced today that Shelley Bernstein will become their Deputy Director for Digital Initiatives and Chief Experience Officer. For 17 years, Bernstein has served as the Brooklyn Museum’s renowned Vice Director of Digital Engagement & Technology. She leaves that post May 16th.
Arts funding giant, Creative Capital, has a new President and Executive Director. Following a nationwide search, the Creative Capital board chose Susan Delvalle to succeed Ruby Lerner, Creative Capital’s founder and current President and Executive Director. Delvalle will start June 1st and becoming the organization’s second president in its 18 year history.
An important internet art archive will soon shutter. Turbulence.org, an online project that has commissioned new net art and networked hybrid artworks since the mid-1990s, announced over the weekend it would be going offline on December 31, 2016.
According to the announcement — made via a mass email to past and present artists, as well as in a public Facebook update — the organization can no longer sustain the operating costs needed to maintain its online archive.
We’ve been following NEW INC since it’s founding in 2014. An arm of the New Museum design to offer professional development opportunities to creatives in all fields, NEW INC offers a much-needed support model. Now, two years in and newly accepted applications for its September 2016-2017 term, how’s the non-profit doing?
“One thing that has been unique about NEW INC and incredibly important to our mission is that it’s not a one-size-fits-all community or approach to the idea of entrepreneurship,” says Julia Kaganskiy, NEW INC’s director, in an email interview with AFC. “We believe that even an individual artist or designer in the program is an entrepreneur — a business of one.”