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Art F City at The L Magazine: Don’t Move to New York

by Paddy Johnson on April 24, 2013
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“Don’t move to New York,” I told an audience of young students at the University of Georgia last week. To my surprise, most of the students were already familiar with my thoughts on the matter—I’d forgotten about a conversation I’d had with local artist and MFA graduate Layet Johnson, who’d called to ask me if he should move to New York. That conversation became part of an installation in a hotel show. It’s a small town, so by the time I’d arrived, the entire student body had listened to the piece.

Still, the topic came up again and again during my stay, and part of it was my own doing. I’m sad that New York, the city I’ve lived in for more than 10 years, is now barely hospitable to those making the kind of art I love. It’s my job, though I don’t like it, to tell young artists thinking of moving that without connections, their job prospects are dim. The ugly reality is the cost of living is prohibitively expensive in New York.

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Miami Project is Good and Here to Stay

by Paddy Johnson and Corinna Kirsch on December 8, 2012
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Art Basel Miami has a new fair in town, and if Miami Project’s first run is any indication, it will be a player for years to come. That has a lot to do with the fair’s organizers, artMRKT Productions, a company operated by Max Fishko and Jeffrey Wainhause that is known for its fairs in Houston, San Francisco, and the Hamptons. This experience has clearly paid off, as they were able to draw 33 solid exhibitors, and produce a beautiful fair.

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Hands Up If You’re Tired of Auction News

by Paddy Johnson on November 20, 2012
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Rich people are spending their money.

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Notes on MonoDramas At The New York City Opera

by Paddy Johnson on April 5, 2011
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The New York City Opera is a blast. Following my recent discussion of The Martha Graham Dance Company at Lincoln Center, I attended Monodramas, a series of three monodramas composed by well known composers, Morton Feldman, Arnold Schoenberg and John Zorn (through April 8th). The set design, the music, and at least two of the performances were near perfect pitch. As with the previous post on Martha Graham, I offer only my notes.  I am not an expert on Opera, but I do have a lot to say about how the show looked and functioned. Notes follow in the order the performances occurred.

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Introducing Guy Forget, AFC’s New Curatorial Fellow

by Paddy Johnson on January 28, 2011
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Time to issue a warm welcome to AFC’s new curatorial fellow Guy Forget. For the next few months, Guy will manage AFC’s featured masthead artists and Art Talk, a new feature in which we invite readers to discuss current New York shows. He has also conceived a new ten part project titled, “Forget in Ten Parts”, in which he will curate artworks, images and videos, complete with humorous and insightful commentary. We’ll be making announcements soon about the launch date of that series so stay tuned for that.

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Survival in New York: An Interview with Artist Judith Braun

by Paddy Johnson on November 10, 2010
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The sixth interview in a series of posts examining what it means to survive in New York. Today I speak with Judith Braun, an artist living and working in New York. Other interviews include, Executive Director of Rhizome and Adjunct Curator at The New Museum Lauren Cornell, artist Marcin Ramocki, curator and Prospect Non-Profit Director Dan Cameron,  Shelly Bancroft and […]

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Survival In New York: An Interview with Dan Cameron

by Paddy Johnson on October 25, 2010
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The third interview in a series of posts examining what it means to survive in New York. Today I speak with Curator and Non-Profit Director Dan Cameron. Other interviews in this series include  Shelly Bancroft and Peter Nesbett of Triple Candie, a non-profit gallery located in Harlem, and artist William Powhida.

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Survival in New York: An Interview With William Powhida

by Paddy Johnson on October 18, 2010
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The second interview in a series of posts examining what it means to survive in New York. Today I speak with artist William Powhida. The first interview was posted last week, and was with Shelly Bancroft and Peter Nesbett of Triple Candie, a non-profit gallery located in Harlem.

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AFC’s New York Gallery Week Preview

by Art Fag City on May 3, 2010

POST BY DAVID HARPER Leon Golub at the Drawing Center, POSTMODERNIST BIMBO. 2002, oil stick and ink on vellum, 10″ x 8″. For many whose schedules leave them only Saturdays to check out what’s happening out in the wilds of West Chelsea, New York Gallery Week should be a more than welcome addition. About 50 […]

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