The New York City Opera is a blast. Following my recent discussion of The Martha Graham Dance Company at Lincoln Center, I attended Monodramas, a series of three monodramas composed by well known composers, Morton Feldman, Arnold Schoenberg and John Zorn (through April 8th). The set design, the music, and at least two of the performances were near perfect pitch. As with the previous post on Martha Graham, I offer only my notes. I am not an expert on Opera, but I do have a lot to say about how the show looked and functioned. Notes follow in the order the performances occurred.
The documentation above for “La Machine De L’Etre” is a little too dark to reveal the weight of the mass of cloaked figures on stage, which is a real shame. There was a real beauty in seeing all these figures together. Also, early on in the performance one man was disrobed to reveal a bright red suit. It was stunning. Cables where attached to his body and was lifted high above the cast below. This was used to great effect, but I’m starting to wonder whether floating figures are a common trope in opera. They have appeared in nearly every performance I’ve viewed recently, and while I enjoy it, it also strikes me as easy.