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CANADA

This Week’s Must-See Art Events: Old School Survival

by Paddy Johnson and Rea McNamara on June 6, 2016
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Urban survival, whether it’s the cost of living in New York or even riding along Sag Habour in a self-sustaining houseboat, looms largely in this week’s events. Tonight’s lecture at the Morbid Anatomy Museum suggests that this dates back to Weimar Berlin’s era of anarchy and decadence, where fake fakirs — religious ascetics who live solely on alms — got by with their gnarly nails and pins piercing. Flash forward to Saturday’s MoMA opening of Nan Goldin’s famous 1986 visual diary “The Ballad of Sexual Dependency”, and those piercings became the battle scars of surviving the East Village’s punk bohemia. Today, we’re thankfully more practical in eking out our incomes: we look to the sun and its instruments (see this Thursday’s opening of the “Heliotropes” group show at Geary Contemporary) or envision terrible futures in our analogue pasts (“that old school dystopia” at Theodore:Art on Friday). But sustainability, if we quickly cut to the chase, really involves supporting each other, which is why this weekend’s workshops around the nuts and bolts of artist finances or even writing and editing an artist statement will get you ahead. No need for any physical scars.

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Frieze New York in Pictures

by Paddy Johnson and Michael Anthony Farley on May 4, 2016
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Every fair has its share of highlights and Frieze is no different. A few images of the art, the people and, yes, the food, for your enjoyment.

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We Went to Frieze: Ate Shit, but Didn’t See the Ass

by Paddy Johnson and Michael Anthony Farley on May 4, 2016
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One could more or less have the same experience of Frieze by looking at documentation of most of the work. This, despite the fact that visitors can sample dystopian “food” products and see a live donkey (sometimes).

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Skin Game: An Interview with Michael Mahalchick

by Irena Jurek on April 27, 2016
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There may be nothing more distinctive than a Michael Mahalchick show. In the past, his exhibitions have included a mural made during a performance in which he affixed piece of bacon to the wall with their own fat, a stack of Playboy Magazines topped with a hypodermic needle, a gallery full of objects arranged as though they were simply the refuse in a used hotel room of a rock star.

For his fifth solo show at CANADA Gallery, Skin Game, Michael Mahalchick continues to find inspiration in sex, appropriated media, and the history of rock and roll to create a gallery full of darkly romantic pop culture shrines.

We sat down and discussed the significance and the meaning behind the ephemera, and discarded objects he chooses. We also discussed his performances, which have always played a vital role in his work; the last iteration will be taking place May 1 at the gallery

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This Week’s Must See Events: So Many Open Studios

by Paddy Johnson and Michael Anthony Farley on April 26, 2016
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Okay, this map above might be hard to read at this size (big one here), but it gives you an idea of the scale of Greenpoint Open Studios, which runs this weekend and will feature hundreds of artists. That kicks off tonight (Tuesday) with a meet-and-greet happy hour at Le Fanfare. Before that starts, head to Hauser & Wirth for a retrospective of midcentury painter Philip Guston. Wednesday, laugh (or maybe be scared) with Nao Bustamante at MoMA. Thursday, there’s a solo show of Anthony Cudahy’s funeral-inspired paintings at Mumbo’s Outfit in Geary Contemporary and a group show that positions artworks as set pieces at 99¢ Plus in Brooklyn.

The weekend begins with yet more open studios at SVA’s MFA program, followed by the IRL reception and performances for AC Institute’s current online exhibition. More online/offline fun is to be had late night in MoMA’s lobby, where social media artist/rapper Yung Jake presents a multimedia art and music experience that sounds like it will be quite the party. If you’re not too hungover, head to Greenpoint Open Studios on Saturday, followed by a bizarre-sounding Yale MFA show at the Abrons Art Center and a Xiu Xiu performance of music from Twin Peaks at the Kitchen. In a week of “must-see” events, that stands out as a can’t miss. Sunday, Michael Mahalchick’s solo show at CANADA promises to be weird and wonderful, and Greenpoint Open Studios wraps up with yet another party. Wear layers—the weather, like so much art, is going to be unpredictable while you’re trudging around North Brooklyn.

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Fresh New Digs for Aging Independent

by Chris Green on March 4, 2016
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The Independent art fair is apparently all grown up and ready to cement its place of privilege in a new Tribeca location. This year’s event space, Spring Studios, is better known for exclusive fashion and Tribeca Film Festival events, but the organizers believe it is just right for a fair that now considers itself to be mature and ambitious. Aging is perhaps a more appropriate characterization here—this year, the formerly new-blood establishment of the Independent seems as though it is content to coast into retirement.

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The Art F City Survival Guide to the 2016 Armory Week Fairs

by Michael Anthony Farley and Rea McNamara on February 29, 2016
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Do you like art fairs? If yes, you are in luck! If not, get the hell out of New York City this week. Art fairs are multiplying like Gremlins, and mutating as they spawn. We now have specific art fairs for everything: paper, video art, solo projects, Asian art, curator-driven booths, independent artists, dykes, shiny things, boring shows… there’s something for everyone.

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Katherine Bradford and Drawing for Sculpture: Swimmers and Gender Politics

by Paddy Johnson on January 22, 2016
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With a snow storm threatening the weekend gallery goer routines of most New Yorkers, perhaps only the most intrepid will make out tomorrow and Sunday. But for those who haven’t yet seen today’s recommended shows—Katherine Bradford at CANADA and Drawing for Sculpture at Tiger Strikes Astroid (Bushwick) I have good news: both run through February 15th. You’ve got time.

And that’s a good thing, because pretty much any serious art lover in the city needs to see CANADA’s Katherine Bradford show, “Fear of Waves”.

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Racist Quebec Film Draws Ire from Everyone

by Rea McNamara on November 27, 2015
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White guys are at it again. Earlier this week, Quebec filmmaker Dominic Gagnon’s of the North enraged Inuit throat singer Tanya Tagaq as a “painful and racist” experimental documentary that used her music without permission. Tagaq took to Twitter to complain about the Montreal International Documentary Film Festival’s (RIDM) recent screening of the film.

And she’s not wrong to be upset. A bit of background: of the North compiles user-generated YouTube footage from Nunavut and Northern Quebec; it’s a mash-up of Arctic tundra landscapes populated with oil rigs, hunting, and skidoos but also Inuit men vomiting after drinking binges, and even a desperate Buñuel-esque edit of a vagina that cuts into a video of a dog’s tail hair being trimmed.

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