Post image for Art F City Launches PARADE, A New Programming Arm Focused on Creating Civically Engaged Art

Art F City is pleased to announce the launch of their new programming arm, PARADE, which supports and commissions civically engaged public art in Western Queens and beyond. Founded with a mission of fostering dialogue and connection through art, PARADE is co-directed by Paddy Johnson, writer, organizer and Art F City founder, and Nancy Kleaver, a nonprofit management arts education consultant, and community advocate.

Post image for Live From Forward Union: Four Women Who Are Using Art to Change the World

It’s been a rough news week. Between Thursday’s testimonies of Dr. Christine Blasey Ford and Judge Brett Kavanaugh before the Senate Judiciary Committee, and Kavanaugh’s near appointment to the Supreme Court Friday, many of us are exhausted. We would like a win for women.

Sometimes the quickest way to achieve that is to do it yourself. As such, this episode of Explain Me celebrates women who have made waves in the world of art and activism, through a series of interviews with four major figures—Mia Pearlman (Make NY True Blue), Jenny Dubnau (ASAP), Nancy Kleaver (PARADE), and Mira Schor (Selected writing).

In the first half of the show, Mia Pearlman and Jenny Dubnau talk about their work pushing for changes at the city and state level and how being an artist makes that job easier. In the second half, Paddy Johnson and Nancy Kleaver talk about their new public art organization, PARADE, and Mira Schor talks about the history of feminism in art from the 1970’s through to today, and her contributions. Stream it. Download it. Listen to it. This one’s important.

Post image for Explain Me: What it Really Means to be A Mid-Career Artist: A Talk with LoVID’s Tali Hinkis

LoVID‘s Tali Hinkis joins us in the studio to discuss the challenges of being a mid-career artist outside of New York. In this episode we discuss how to navigate it all from engaging a general audience to getting grants and networking. A refreshingly frank talk about what mid-career actually looks like for artists and what it takes to get there.

Post image for We’re So Not Getting the Security Deposit Back: DC Edition

Last October, we published the first edition of our zine series, We’re So Not Getting the Security Deposit Back: A Guide to Defunct Artist Spaces in partnership with Beltway Public Works in DC. Today, we’re making it freely available to all in the form of a PDF. (If you want the physical version please contact AFC directly paddy@artfcity.com)

Post image for The Affect of Animated GIFs (Tom Moody, Petra Cortright, Lorna Mills)

Since the early 1990s, artists have chosen the internet as a medium, an environment and a
forum. While some internet artists also maintain a gallery practice, the conditions and
conventions that inform meaning in online art remain in many ways distinct from those of
the off-line artworld. Internet art — inherently ephemeral and infinitely reproducible —
eludes commodification and largely operates independently of the art market.1 In the
online environment where acts of creative self-expression are the norm, the boundaries
between artists and not-artists that confer status and hierarchy in the gallery and museum
system are largely immaterial. Even among niche groups of online practitioners who self-
identify as artists, the culture of internet art regards the agency of the viewer on a par
with that of the artist. In most cases, viewers are also producers. Many online artists, such
as myself, operate through the medium of the blog format, which allows for a hybrid
practice blending art production with art criticism, cross-promotion and dialogue.

Post image for Explain Me: The Case for Taxing The Hell Out of Peter Brant

In this episode of Explain Me William Powhida and Paddy Johnson discuss the horrific business practices of Peter Brant and Interview Magazine, a fundraising campaign at University of North Carolina so misguided that firing is in order, and the latest headscratching Creative Time project. To help us discuss all of this, and how the new tax code will affect artists accountant and painter Hannah Cole joins us.

Post image for Explain Me, Part II: Doug Aitken’s New Era, Worst Show of 2018

In Part II of Explain Me, William Powhida and I discuss the difference between relational aesthetics and social practice, the whims of the auction market and the perilous affect it can have on artist careers, and Doug Aitken’s train wreck of a show at 303 Gallery along with a handful of truly remarkable shows. Those shows listed after the jump.

Post image for Explain Me: Bags of Cash Help New Galleries

In this episode we discuss how the Frieze Art Fair’s failing air conditioning units won’t help global warming, sales strategies for emerging artists, and galleries that have come and gone. Look to Part II where we discuss the difference between social practice and relational aesthetics and discuss the Doug Aitken show at 303.

Post image for Explain Me: Related Utopias—Bitcoin Economies and the Art World

This week on Explain Me, William Powhida and Paddy Johnson talk with artist Kevin McCoy about Blockchain, Bitcoin and the Monegraph. This episode is your ultimate bitcoin/blockchain/monegraph explainer.


LINKS 

Monegraph

Seven on Seven, 2014

Public Key/Private Key

READING LIST  

Hito Steyerl – If you don’t have bread, eat Art!
Does Digital Culture Want to be Free?
How blockchains are transforming the economy of cultural goods

http://www.academia.edu/33838249/Does_digital_culture_want_to_be_free_How_blockchains_are_transforming_the_economy_of_cultural_goods

Show sponsor:

Superfine

Post image for Explain Me: The New Museum Triennial—Two Critics Perform Their Own Acts of Sabotage

In this episode of Explain Me, Paddy Johnson and William Powhida discuss the New Museum Triennial. Both Johnson and Powhida agree this show has more of its fair share of bad art but only Powhida sees this as a dealbreaker. Debate ensues. The ad in which Pepsi and model Kendall Jenner create world peace gets a mention.

Thanks to Explain Me sponsor, Superfine

Laura Ouramonde

Lydia Ourahmane, “Finitude, 2018, Courtesy of the Artist

Chemu Ng’ok Image via: Hyperallergic

Chemu Ng’ok Image via: Hyperallergic

 

Anupam Roy installation view

Anupam Roy installation view

Gresham Tapiwa Nyaude, The New Zimbabwe (2018) at "2018 Triennial: Songs

Gresham Tapiwa Nyaude, The New Zimbabwe (2018) at “2018 Triennial: Songs

 

Manolis D. Lemos, dusk and dawn look just the same (riot tourism), 2017 (still). Courtesy of the artist and CAN Christina Androulidaki Gallery, Athens

Manolis D. Lemos, dusk and dawn look just the same (riot tourism), 2017 (still). Courtesy of the artist and CAN Christina Androulidaki Gallery, Athens

Haroon Gunn-Salie “Senzenina” (2018), an installation by the South African artist Haroon Gunn- Salie, memorializes the 2012 police massacre of striking miners in his homeland.

Haroon Gunn-Salie “Senzenina” (2018), an installation by the South African artist Haroon Gunn- Salie, memorializes the 2012 police massacre of striking miners in his homeland.

 

Hardeep Pandhal, Pool Party Pilot Episode, 2018, 4K animation, color, sound; 8:10 min. Hardeep Pandhal.

Hardeep Pandhal, Pool Party Pilot Episode, 2018, 4K animation, color, sound; 8:10 min. Hardeep Pandhal.

 

Tomm El-Saieh

Tomm El-Saieh

 

Tiril Hasselknippe

Tiril Hasselknippe, installation view

PRONOUNCIATION GUIDE

Gary Carrion-Murayari

** Carry-on Mur-uh-yar-ee

Tomm El-Saieh

** El-say

Lydia Ourahmane

** Oura-ha-mane

Chemu Ng’ok

** Chem-oo Nuh-gok

Gresham Tapiwa Nyaude

** Tap-ee-wa Naw-u-deh

Manolis D. Lemos

** Man-o-lis Lem-os

Tiril Hasselknippe

** Tir-ill Has-ul-nip

Hardeep Pandhal

** Pand-al

Haroon Gunn-Salie ** Sal-ley

Anupam Roy

** A-new-pam