Post image for Highlights from the Creative Capital Retreat: Part Two

What were the craziest presentations at this year’s Creative Capital retreat in Troy? In my first installment I provided a brief overview of the arts granting agency’s conference—it’s several days in an auditorium listening to amazing artists give seven minute presentations on their projects—and discussed the work of three stand out artists: Lorraine O’Grady, Brittany Nelson and Narcissister. This week I highlight three more. Let’s get this started.

Post image for Pastoral Romanticism for the Hashtag FOMO Generation

What does millennial cultural tourism look like? From the institutional standpoint, it’s about making exhibition and outreach programming more “social” and appealing to younger audiences with stuff they think they’ll like: “late night” events, live music, food trucks, booze. Publicly funded outdoor summer music festivals now come with visual arts programming; at last month’s WayHome Festival outside of Barrie, Ontario, a curator was hired to oversee interactive art installations scattered through the grounds, providing the perfect backdrop for festival goer’s selfie stick snaps.

Post image for Checking in at DUMBO Newcomer Usagi NY

A new exhibition space, which bills itself as a “concept store”, opened last month in DUMBO. Usagi NY combines a gallery, cafe, and library in a crisp and surprisingly functional 2,800 sq ft space designed by Sou Fujimoto. The cafe and reading area are quietly tucked in the back, resulting in a gallery that isn’t too cluttered but still manages to feel more gregarious than the average white-box space. It’s a rare example of a multi-use space where the artwork doesn’t feel like an afterthought, which is an accomplishment. Their inaugural show is organized around the Japanese designer Kenya Hara’s theory that the color white inspires creativity—along with a unifying thread of projects that involve commerce, research, or technology.

Some highlights after the jump.

Post image for Female Art Writers Open Up About Sexism in Publishing: Part Two

In part one, art writers discuss discrepancies between the number of women in staff writer positions in contrast to editorial ones. Part two goes in-depth into what makes up everyday sexism, from female-specific reporting topics to out-and-out harassment, and concludes with suggestions for achieving some semblance of equity in the field of art writing.