Post image for Remixing Intersectional Feminism At Pittsburgh’s Miller Gallery At Carnegie Mellon University

Even as feminism experiences a resurgence, there’s still a marked lack of representation of women of color and gender nonconforming individuals in both art and political activism. This disparity was recently debated on an international level with the criticism launched at the disproportionately white and cisgender Women’s March. A current show HACKING/MODDING/REMIXING As Feminist Protest at Pittsburgh’s Miller Gallery at Carnegie Mellon provides a direct rebuke of this continued inequality by emphasizing the power of intersectional feminism (feminism that embraces multiple, overlapping social identities beyond gender, including race, ethnicity, sexuality and class).

The exhibition leads by example by bringing together a group of twenty two artists who fracture and rearrange technology to create their own narratives within male-dominated fields like gaming, net developing and computing. Organized by artist and game developer Angela Washko, the show, in many ways, is an answer to the much-reported lack of women in tech industries (Washko cites a 2013 study in her introductory wall text, stating only 26% of the positions in computing jobs in the U.S. are held by women). But, with its smart and diverse curation, HACKING/MODDING/REMIXING As Feminist Protest goes further than exhibitions about feminism often go, taking on race and other identity issues. This makes the show not only politically relevant, but also necessary viewing during our current feminist revival.

Post image for This Week’s Must-See Art Events: Spend Valentine’s Day Grabbing Bjarne Melgaard’s Sloppy Seconds

Bjarne Melgaard is going through a reinvention phase, which means he’s giving away his entire $500K wardrobe for free on Valentine’s Day at Red Bull Studios. Then he’s launching his new project: a streetwear line with an installation a department store at the same spot Thursday night. Then two painters offer unique takes on domesticity through still lives—Sydney Licht at Kathryn Markel Fine Arts and Crys Yin at Amy Li Projects.

Friday night, things get weirder with a dystopian video game from Jeremy Couillard at yours mine & ours, artwork lost in translation at Tiger Strikes Asteroid, and a late-night performance from Actually Huizenga and one-time-AFC-contributor SSION (video above). The weekend brings two more all-women shows conceived in response to Trump’s sexism: BODY/HEAD Saturday night at Be Fluent NYC and BEAT at On Stellar Rays Sunday afternoon. Lookin’ good, NYC.

Post image for .ART Domains Cost 757% More Than Other Comparable Domains

It’s been five days since e-flux sent out their mailers giving art professionals early access to purchase .ART domains, and the registration process has been a disaster from start to finish. Many users were not able to access the .art site, which is run by UK Creative Ideas Limited (UKCI). The website described an abundance of demand for the reason, and e-flux sent out an email earlier today apologizing for the technical issues. This should not have been a problem. e-flux has a mailing list of close to 100,000 readers—a fraction of the traffic needed to pull down most websites. What happened?

No explanation was given in the mailer, but since that time, some of the bugs have been worked out. But now that users can get on the site, many have been shocked to learn that .ART domains cost $300 for the initial registration and $18.99 for the renewal—757 percent more than the comparable, .PHOTO which costs only $34.99 with a $34.99 renewal fee and 2900 percent more than .STUDIO, which costs only 9.99 with a 19.99 renewal fee.

Post image for Material Light on Substance, Heavy With Dick Pics

Is a bigger fair necessarily a better fair?

Having doubled in floorspace since last year, Material Art Fair feels like a totally different beast. The fair has moved to two lower floors of Expo Reforma, with larger booths arranged around “courtyards” for conversation and concessions. There are plenty of new exhibitors, and much of the work looks far more market-friendly than the wares last year.

Opinions remain divided over whether or not these changes are a good thing…