Post image for Is Site Specificity Relevant to a Generation of Nomads? Not Really.

In Outlet’s group exhibition Sight | Site | Cite, “site specificity” seems to have lost its relevance. Instead, artists try their hand at nomadic placemaking through gregarious or personal gestures.

Post image for Highlights from the Creative Capital Retreat: Part Three

In one of her many talks at the Creative Capital retreat this July, President & Executive Director Ruby Lerner spoke of the importance of keeping the organization weird. The short explanation of what this means is simply that she wants them to continue to fund projects that aren’t beholden to the market. (Lerner has announced her retirement, so the succession planning has begun in earnest.) More specifically, though, it means supporting artists who bring a point of view to the table, who aren’t afraid to fail, and who pursue excellence in whatever field they work in. These are artists who exemplify the creative spirit. Their work must be supported.

In my previous two posts summing up highlights from the Creative Capital retreat, I’ve tried to highlight presentations by artists who I felt exemplified those qualities. In my last post on this year’s retreat, I highlight three more. Here goes.

Post image for If a Tree Falls in the Forest and There’s No New York Art Critic to Review it, No One Cares

I like looking. It’s why I write at Art F City, and why, every summer, I chose to vacation in the wilderness. I don’t want to stop looking, but I need a break from the rest of the job.

Spending a bunch of time on a trail makes that easy. This year, I spent part of my vacation at Cape Breton Highlands National Park in Nova Scotia. One of the best qualities of visiting a national park: admission doesn’t come with a press release telling you what to think about your experience and why it’s important to humanity. Nobody expects visitors to theorize their experience in the woods or even reflect on it. The job is just to enjoy it. (Which I did.)

More after the jump.