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The Venice Biennale Pavilions: Caged Dogs, Fallen Logs, and the Problem of Time

by Paddy Johnson on June 6, 2017
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Pretty much any traveler will end up thinking about time in Venice given the age of the city, but the Biennale amplifies this tendency. Even in thinly attended years, visitors to the Venice Biennale preview quickly get used to standing in long cues to see popular pavilions. As far as VIP events go, the pavilion previews aren’t the least bit exclusive, so wait times come with the territory. As a result art is often considered by whether or not it’s worth the time you budget.

A discussion of Anne Imhof at the German Pavilion, Geoffrey Farmer at the Canadian Pavilion and Mark Bradford at the US Pavilion after the jump.

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We Went to Bushwig 2016, Tits Out

by Michael Anthony Farley Whitney Kimball on September 15, 2016
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Bushwig returned bigger and better for its fifth edition. At its new home in The Knockdown Center, the drag festival had even more room to get freaky.

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Nancy Grossman on Carol Cole at The AFC SPRNG BRK Fundraiser

by Nancy Grossman on March 17, 2016
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Carol, I wanted to talk about how intrepid, deeply authentic, provocative and sometimes outrageously funny your work has been all these years and how daring and courageous you are in your personal expression. I just remembered your piece in “The Visible Vagina” show in 2010 titled Back into the Womb where you built a giant Vagina out of a play tent, with red satin, lace, velour, rubber, and you invited people to crawl in & try a pacifier.
I think back to when we met at lunch in 1994, when I was visiting UNC in Greensboro & having an exhibition at the Weatherspoon Museum. I found out that you had asked Ruth Beesch the Director, to be invited to that lunch in order to meet me, because I was one of those artists from Cindy Nemser’s book Art Talk; Interviews with Women Artists, from way back 20 years before who had identified all my head sculptures as self portraits and made you reflect on yourself “If she can do it, I can do it too”. It was like taking a dare & giving yourself permission to make your own revelatory imagery. It was a memorable lunch because you were so generous in describing your own artistic trajectory in the most open and profoundly honest way.

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IMG MGMT: Cosmetic Masochism, Metal on Flesh

by Faith Holland and Seth Watter on January 27, 2015
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A number of years ago, at the height of the torture porn cycle, we discovered a parallel, if underappreciated, genre: the instructional makeup video. Both are premised on the remodeling of human bodies. Both offer grueling spectacles of metal on flesh.

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Ivo Dimchev’s Fest: An Artist’s Descent Into Hell

by Paddy Johnson on January 19, 2015
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Social capital is the fuel of the art world. Attending art openings, dance performances, and biennials is seen as glamorous and sexy. Studio visits feel like exclusive behind-the-scenes access to the artist. Actually financing the lifestyle, though, requires a lot of soul-killing administration: constant emailing, negotiation, and usually a bit of flattery.

Most of us hate it. A lot of us try to avoid it. And then there’s Ivo Dimchev, who uses his distaste for administration as inspiration for his disturbing three-person performance, Fest, at the Abrons Arts Center. The piece tells the story of Ivo Dimchev’s negotiations with a festival director and staff in Copenhagen, all of which devolve into power plays driven by sexual desire. It is an absurd and abject comedy that sits somewhere between total chronophobia and complete brilliance.

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7 Rising Art Stars to Watch: Rebecca Patek

by Paddy Johnson Whitney Kimball and Corinna Kirsch on August 19, 2014
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This week and next we’ll be featuring the work of seven artists we think you should keep an eye on. Not only are they making extraordinary work, but they’re being recognized for it as well. We kick things off with Rebecca Patek.

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Carrie Mae Weems at the Guggenheim: Could Be Better

by Corinna Kirsch on April 2, 2014
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The Guggenheim’s current retrospective is only half great.

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An Informal Survey of Swag: The Sociology of Hip Hop In the Micro-World of Emerging Net Art

by Jennifer Chan on September 14, 2012
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Cultural studies has established that suburban white kids love hip hop in a complex manner; heaps has been written on aspiration, colorblindedness, misogynism, emulation, and subordination. But just what makes hip hop so appealing to net artists? Instead of passing off any attempt to indulge in hip hop as a 1:1 relationship between appropriation and mockery, I’m interested in looking at how different artists incorporate hip hop in their artwork to talk about themselves.

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