Post image for How To Turn a Museum Into An Arcade

Now that our culture has crossed the hurdle of recognizing that video games are more than just a time-wasting triviality that rots your brain, institutions have to grapple with how to preserve and present the rapidly forming canon. The Museum of the Moving Image in Queens was the first museum to collect video games and its currently showing off some prime gems in the exhibition, “Arcade Classics: Video Games from the Collection.” (on through October 23rd)

Art F City sat down with the museum’s Curator of Digital Media, Jason Eppink, to discuss the difficulties of preservation, how VR may become the new social medium and exactly why Duchamp was such a dedicated gamer.

Post image for AFC’s Guided Bushwick Gallery Tour and Dinner

AFC is pleased to announce a guided tour of Bushwick galleries, followed by dinner and drinks. Your $250 ticket gets you a shuttled to seven Bushwick galleries, followed by a meal, drinks, and discussion at artist haunt Hi Hello. We only have room for 10 guests, so please reserve your tickets early!

Post image for #FOMO in Suburbia

I arrived late to the opening reception of Love Me and Delete Me. The gallery is located on a community college campus in a not-very-convenient suburb outside Baltimore. By the time I found it, performance artists and noise musicians had finished their sets and were smoking outside on the otherwise deserted brutalist campus. The scene looked as if it had been plucked from a low-budget post-apocalyptic sci fi film from the 80s. It was an appropriately dystopian prelude to an exhibition about technology and isolation.

Post image for People Have The Power: “Of the people” At Smack Mellon

“Register to vote here,” reads a sign board in front of Smack Mellon. This sign is an unexpected sight, even for a Brooklyn non-profit art space known for its provocative shows. While art and politics frequently meet theoretically in the contemporary art world, they don’t often merge in such a blatantly practical way.

The connection between electoral politics and art drives Smack Mellon’s current exhibition Of the people. Curated by Erin Donnelly, Of the people arrives just in time for both the Democratic and Republican national conventions this month. The timing was not lost on Donnelly who brings together a multidisciplinary group of artists from around the United States to investigate, as the press release describes, “the of-the-moment political opinions shaping the 2016 presidential race.”