Post image for This Week’s Must-See Art Events: Have Your Cake & Smash It Too

Welcome to the new normal. We at AFC have noticed a decline in artistic output from Brooklyn’s DIY scene as of late, while commercial galleries and institutions in Manhattan (and a few in Queens) have been gearing-up for battle mode with politically-charged programming. We’re hoping this is because everyone in Brooklyn is too busy thinking about resistance, and not because they’ve fled the country.

Tuesday night, The New School is hosting a talk about female bodies online, and Wednesday, the New Museum is opening a massive Raymond Pettibon show. After checking it out, head down the block to ICP, where curators will be discussing the loaded Perpetual Revolution: The Image and Social Change. More talks will come Thursday, such as the Brooklyn Museum’s call to defend immigrants and the Flux Factory/ABC No Rio potluck/opening/discussion about artists’ mutual aid in times like these. Friday night, take a break from political angst to get lost in the dreamy paintings of Jordan Kasey at Nicelle Beauchene, or the likely dreamier office set E.S.P. TV has staged at Pioneer Works. The weekend brings more great art and opportunities for creative resistance: be sure to check out the Queens Museum’s event to build climate change resistance coalitions between artists and activists.

Post image for Rent Too Damn High?  Deduct Your Home Studio.

One of the best tax breaks out there is the home office (or home studio) deduction. In tax terms, this essentially turns a portion of your nondeductible personal expenses (your home) into deductible business expenses (a workplace). A lot of people are confused about the rules, and some people are scared to take the deduction at all because they’ve heard that it can be a red flag to the IRS. As long as you are following the rules correctly, there is nothing wrong with taking the deduction. And it’s a big one! So here is some help.

Post image for Time Traveling for Gingerbread Totems: An Interview with Theo Rosenblum and Chelsea Seltzer

Entering Theo Rosenblum and Chelsea Seltzer’s “Culture Shak” installation at The Hole, is like walking into a Post-human Natural History Museum arrangement of “2016.” The decadence, absurdity, and pleasures of our fragmented culture are put on display with a monumental gingerbread totem pole, a sexy penguin with a six-pack abs, and a touching sculpture of a volcanic ash encrusted skeleton.

I had the pleasure of sitting down with the zany duo, to discuss cultural appropriation and what interpretation a future alien race might bring to relics left behind by our own extinct species.

Post image for Avoiding Contemporary Politics At A.I.R. Gallery’s “Sinister Feminism”

One of the few positive side effects of Trump’s chaotic pussy-grabbing rise to power is the revitalization of feminism as an active political tool. Between the Women’s March and women-driven exhibitions like Nasty Women, women are now at the forefront of the resistance to Trump’s dangerous administration. The strength of this feminist revival explains why the failure of A.I.R. Gallery’s 12th biennial exhibition Sinister Feminism is such a disappointment.

Rather than a strong rebuke of a misogynist administration, Sinister Feminism, curated by Piper Marshall with Lola Kramer, shows a stubborn refusal to scrap wonky aesthetic concerns in a time of political emergency. Not only is the exhibition’s attempt to rethink feminist art’s essentialism hackneyed, it also felt disassociated from reality.