Post image for We Went To San Juan: Alternative Galleries Save Austerity Hamstrung Triennial

Dianne Bras Feliciano and Pedro Velez visit The 4th San Juan Poly/Graphic Triennial, La Productora and Recinto Cerra.

Post image for Will Electronic Superhighway Accurately Historicize New Media and Internet Art?

How has technology impacted art? Whitechapel Gallery will be addressing this question in a landmark exhibition launching in January 2016. Entitled Electronic Superhighway (2016-1966), the show will bring together over 100 multimedia artworks from the past 50 years. Over 70 artists will be involved, including Nam June Paik, Cory Arcangel, Lynn Hershman Leeson, Hito Steyerl, Jeremy Bailey, Amalia Ulman, Douglas Coupland and Judith Barry.

The show is clearly a major coup for its curator, Omar Kholeif, whose rise in the artworld has garnered comparisons with Hans Ulrich Obrist. It’s an ambitious survey that is much needed in a genre still struggling for institutional validation. So, it’s concerning that a majority of the internet art represented in the show will come via the archives of new media non-profit, Rhizome. While Rhizome has substantially impacted collecting and preserving digital art works, they still only represent the perspective of one organization.

Post image for The Wrong Biennale: First Impressions

Online art exhibition The Wrong Biennale’s second iteration has been live for over a week now. Much like the internet itself, The Wrong is huge and unwieldy and generated by so many authors that it’s thematically and qualitatively inconsistent beyond recapitulation or even judgement, really. That being said, The Wrong’s greatest utility might be its capacity to lay bare all the strengths, challenges, and glorious failures of displaying and viewing digital art online.