Post image for This Week’s Must-See Art Events: Use Your Sick Days Wisely

There’s plenty of good stuff to do this week, starting with a Felix Gonzalez-Torres book launch reception at the Whitney Monday night. Carla Gannis has a book launch of her own Tuesday night at the Pratt library, including augmented-reality elements. The rest of the week is dominated by painting and digital art—exemplified by Michael William’s solo show of digitally-produced paintings at Gladstone and Jason Lahr’s digitally-informed paintings at the Painting Center, both of which open Thursday night. For digital purists, check out Low Res: Spatial Politics in the Cloud at NARS Foundation’s Sunset Park digs Friday night. For painting purists, catch Rebecca Leveille’s brushy portraits at Site:Brooklyn. Fans of both media will be relieved to note they’re but a few subway stops away. End the week with FIN’s ICE PIX album release party on Sunday in Bushwick, which features performances from rising stars such as FlucT and Raul de Nieves. Your Monday hangover will be so worth it.

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Sometimes it seems like we’re just taking the same pose, over and over again. Other times, we’re remaking re-imagining poses entirely.

Post image for How Much is Culture Worth Compared to Melania Trump?

New York’s arts organizations stand to lose big time under Trump’s NEA-gutting budget. New York taxpayers are already losing big time while footing the bill for the Trump family’s security owing to the First Lady’s decision to remain in her Manhattan penthouse.

We wondered: just how much art could you fund with a few hours of Melania’s security detail?

Post image for Finding Light (And An Ode To The Ass) In The 2017 Whitney Houston Biennial

Seven small spray bottles labeled “Trigger Spray” and a packet of tissues emblazoned with “Your Feelings Are Valid” sit on a pedestal in a back corner of the Whitney Houston Biennial at Chashama. In a silly sendup of trigger warnings and safe spaces, the corresponding label for the work by Elana Langer lists humor along with the other materials. As it turns out, this isn’t just an ingredient in Langer’s piece. Humor is key to many of the all-women group show’s inclusions, which felt like a breath of fresh air with the doom and gloom of both the Whitney Biennial and the daily outrage of the Trump administration.