Admittedly however, rose petals (paper hearts) falling from the ceiling to the stage were a nice touch, if for no other reason than their ability to defy physics. How could so few of them stick to soprano Kara Shay Thomson?
by Paddy Johnson on April 5, 2011 · 3 comments Opinion
Admittedly however, rose petals (paper hearts) falling from the ceiling to the stage were a nice touch, if for no other reason than their ability to defy physics. How could so few of them stick to soprano Kara Shay Thomson?
Tagged as: Antonin Artaud, Anu Komsi, Arnold Schoenberg, Chagall, Cyndia Sieden, Jennifer Steinkamp, John Zorn, La Machine De L'Etre, Morton Feldman, William Kentridge
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You said “Duchamp in a dancehall.” nyuk nyuk nyuk
I think this series is more or less failed. Personally, I love Feldman and his opera set was pretty nice so it was good. But the other two was disappointed ,literally. Specially, though I do love John zorn, his opera was not good!!! at all.
just so you all know–opera singers are never mic’d. that is their voice, and their voice only.
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