It warrants mentioning that Kara Shay Thomson’s voice is not for the weak. Her voice is bold, a quality I appreciated as I doubt I would have had any interest in the work at all were it not for her performance.
by Paddy Johnson on April 5, 2011 · 3 comments Opinion
It warrants mentioning that Kara Shay Thomson’s voice is not for the weak. Her voice is bold, a quality I appreciated as I doubt I would have had any interest in the work at all were it not for her performance.
Tagged as: Antonin Artaud, Anu Komsi, Arnold Schoenberg, Chagall, Cyndia Sieden, Jennifer Steinkamp, John Zorn, La Machine De L'Etre, Morton Feldman, William Kentridge
{ 3 comments }
You said “Duchamp in a dancehall.” nyuk nyuk nyuk
I think this series is more or less failed. Personally, I love Feldman and his opera set was pretty nice so it was good. But the other two was disappointed ,literally. Specially, though I do love John zorn, his opera was not good!!! at all.
just so you all know–opera singers are never mic’d. that is their voice, and their voice only.
Comments on this entry are closed.