Post image for We Went to Baltimore Part II: Platform, Springsteen, First Continent

Artscape, Baltimore’s annual, gigantic public art festival, and the Artist-Run Art Fair launch this week. Yesterday, we posted about a few local galleries ahead of time to scope out what’s on view across town from the main festivities. Today, we’re discussing exhibitions from Melissa Godoy Nieto and Lane Harlan at Platform, Colin Foster at Springsteen, and Michael Assiff at First Continent. 

Post image for Dream Job Alert: Creative Time is Seeking a New Curator

Do you have at least 5 years of curatorial experience? Consider applying to Creative Time, the arts organization that’s funded public arts programs such as Duke Riley’s LED-lit pigeons over the East River (above) and Tom Sachs’ epic SPACE PROGRAM: Mars.

Creative Time has been bringing us high-quality, strange, and smart public arts programming since 1974, with an eye towards politically-charged works and projects that seem unlikely candidates for funding. So if you’re up for the task of writing so eloquently about an artwork that it can persuade someone to give you money for light-up pigeons, this is the job for you!

There’s more information about the position here. Resumes, cover letters, and two references should be emailed to

Post image for IMG MGMT: Freddie and St. Cosmas

These images are pulled from my personal database of thousands of saved jpgs, gifs and video clips from Internet memes, pop culture, and art history, collected over a ten-year period. Deceased saints and celebrities, horror movie victims and victims of plague, pop culture monsters and cartoon characters form a cast of silly and somber subjects who cameo in my large-scale community reenactments of art history.

Post image for Not an Alternative: “FORTY” at MoMA PS1

Can alternative spaces and their anti-institutional goals ever be faithfully represented inside a museum? If MoMA PS1’s current exhibition FORTY is any indication, the answer is a definitive no.

What makes this realization even more awkward is that in this show, the alternative space and institution are one and the same. As its name suggests, FORTY honors the 40th anniversary of PS1 by looking back to its first exhibition Rooms. The show, like Rooms, is organized by Alanna Heiss who founded PS1 in 1976. The former alternative arts space was just one project launched under Heiss’ nonprofit Institute for Art and Urban Resources Inc.