Posts tagged as:

Magda Sawon

The Art F City Paddle8 Auction is Live!

by The AFC Staff on February 7, 2014
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Good news. The Art F City auction is live on Paddle8 and we’re employing every form of digital media to let people know! That means you’ve got through Monday, February 17th at NOON sharp to bid on all live items before the heading to Postmasters Gallery for the live auction with CK Swett. You have through Monday, February 17th at TEN PM to bid on silent lots.

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Tickets to The Art F City Roast on Sale Now!

by The AFC Staff on January 10, 2014
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This February 17th, get ready for The Art F City Art World Roast Auction and Awards (AFCAWRAaA): a night of crowning the worst and auctioning off the best. (Basically, it’s like the art prom, but everyone is Carrie). Prepare yourself for roasting and ass gadgetry; this year, our gilded awards will take the form of golden butt plugs.

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This Week’s Must-See Art Events: We’ve Got a Talk Show, Emojis, and a Death Match

by Paddy Johnson and Corinna Kirsch on December 10, 2013
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Get ready for snarky and smart-y talks.

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Vote! You Have One Week to Turn Postmasters’ Magda Sawon Into a Sculpture

by Corinna Kirsch on June 24, 2013
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Our #getbusted campaign for Magda Sawon sure has paid off. With this week’s announcement of the contest finalists, we found out she’s made the cut!

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The Art F City Campaign for a Magda Sawon Sculpture on the High Line

by Corinna Kirsch on April 23, 2013
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As part of “Busted”, the High Line is letting you nominate a special someone who’ll be turned into a sculpture.

That’s great news because we know who we want to see made into a sculpture on the High Line: Postmasters’ Magda Sawon.

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1993: Experimental Jet Set, Trash, and No Star at the New Museum

by Paddy Johnson on February 26, 2013
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Those looking for a brief reprieve from contemporary culture may find solace in the New Museum’s “1993: Experimental Jet Set, Trash, No Star.” The show surveys the New York art world in 1993, which as this show tells it, may not be much better than what we’ve got now, but was at least more open about its displeasure with the status quo. It is a raw, imperfect exhibition whose narrative is unusually informed by the route one takes through the museum, and it is worth every minute you can spend on it.

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