AFC Senior Editor Corinna Kirsch and Editorial Fellows Henry Kaye and Andrew Wagner give their takes on the industrial-themed summer group show at David Zwirner and Louise Lawler’s tracings of photographs at Metro Pictures.
In comic books, Modern art rarely makes an appearance. If it does, it’s usually seen as the backdrop to a crime—a museum heist, for instance. That’s what makes Grant Morrison’s “The Painting That Ate Paris,” a storyline running in DC Comics’ Doom Patrol, so rare; that comic took art and turned it into one of the most villainous creations ever known.
Jeff Koons may inspire more debate than any other living artist. His work is kitschy, expensive, and market-friendly. He recycles imagery to the point of looking intellectually lazy. Is his factory of art makers really that different from Buzzfeed, a vast and wealthy website that brings together hundreds of pre-existing and manipulated images for little more than entertainment?